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Paula Arwen Friedlander is a native of Brooklyn, NY, now living upstate. She is a graduate of Parsons School of Design, with years of experience in Freelance Illustration, Graphic and Textile Design.

Her unique illustration style is created with hand cut paper silhouettes, collage, ink, and digital art. Silhouette art has a long history in many cultures. From silhouette portraits popular in the 1700's to traditional cut paper art in China and Poland, it is a beautiful art form using the contrast of dark and light, shadows and illumination.

Paula is fascinated with the opposition of darkness and light. She is inspired by her surroundings, from the urban world of Brooklyn to the natural beauty of the Catskills. Her imagination is fed by dreams and tales of myth and legend. The subjects of her work range from serene fantasy to morbid horror.

As well as being an illustrator, she applies her talents to many other things. She creates Custom OOAK Fashion Dolls and My Little Ponies, transforming outcast and forgotten dolls into new life forms. Re-painted, re-haired and costumed, each doll is one of a kind. She is also a novice writer of poetry and short fiction.

Some of the artists and illustrators she admires include Aubrey Beardsley, MC Escher, Albrecht Durer, Frank Frazetta, Brom, Luis Royo, Lotte Reiniger, Susan Sedon Boulet, Paul Goble, David Wisniewski, and Leo and Diane Dillon.

See more of her work at www.arwendesigns.net. E-mail her at arwen@arwendesigns.net.

Tour Paula's work, piece by piece.

View thumbnails of Paula's work.





Current Issue
29 May 2023

We are touched and encouraged to see an overwhelming response from writers from the Sino diaspora as well as BIPOC creators in various parts of the world. And such diverse and daring takes of wuxia and xianxia, from contemporary to the far reaches of space!
By: L Chan
The air was redolent with machine oil; rich and unctuous, and synthesised alcohol, sharper than a knife on the tongue.
“Leaping Crane don’t want me to tell you this,” Poppy continued, “but I’m the most dangerous thing in the West. We’ll get you to your brother safe before you know it.”
Many eons ago, when the first dawn broke over the newborn mortal world, the children of the Heavenly Realm assembled at the Golden Sky Palace.
Winter storm: lightning flashes old ghosts on my blade.
transplanted from your temple and missing the persimmons in bloom
immigrant daughters dodge sharp barbs thrown in ambush 十面埋伏 from all directions
Many trans and marginalised people in our world can do the exact same things that everyone else has done to overcome challenges and find happiness, only for others to come in and do what they want as Ren Woxing did, and probably, when asked why, they would simply say Xiang Wentian: to ask the heavens. And perhaps we the readers, who are told this story from Linghu Chong’s point of view, should do more to question the actions of people before blindly following along to cause harm.
Before the Occupation, righteousness might have meant taking overt stands against the distant invaders of their ancestral homelands through donating money, labour, or expertise to Chinese wartime efforts. Yet during the Occupation, such behaviour would get one killed or suspected of treason; one might find it better to remain discreet and fade into the background, or leave for safer shores. Could one uphold justice and righteousness quietly, subtly, and effectively within such a world of harshness and deprivation?
Issue 22 May 2023
Issue 15 May 2023
Issue 8 May 2023
Issue 1 May 2023
Issue 24 Apr 2023
Issue 17 Apr 2023
Issue 10 Apr 2023
Issue 3 Apr 2023
Issue 27 Mar 2023
Issue 20 Mar 2023
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