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Ann-Cathrine Loo studied art in Sweden, then got an B.A. in Anthropology and two children in between drawing portraits and making murals for local hospitals. She moved to England because there are more castles there. When not doing Viking reenactment or fighting the garden, she illustrates books and stories. You can see more of her work on her website, and you can contact her at ann-cathrine.loo@cunobaros.com.


Ann-Cathrine Loo in our archives
Current Issue
25 Mar 2024

Looking back, I see that my initial hope for this episode was that the mud would have a heartbeat and a heart that has teeth and crippling anxiety. Some of that hope has become a reality, but at what cost?
to work under the / moon is to build a formidable tomorrow
Significantly, neither the humans nor the tigers are shown to possess an original or authoritative version of the narrative, and it is only in such collaborative and dialogic encounters that human-animal relations and entanglements can be dis-entangled.
By: Sammy Lê
Art by: Kim Hu
the train ascends a bridge over endless rows of houses made of beams from decommissioned factories, stripped hulls, salvaged engines—
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