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Jamey Hatley is a native of Memphis, TN. Her writing has appeared in the Oxford American, Torch, The Account, Long Hidden: Speculative Fiction From The Margins of History, Memphis Noir, and elsewhere. She has attended the Callaloo Creative Writing Workshop, the Voices of Our Nation Writing Workshop and received scholarships to the Oxford American Summit for Ambitious Writers and the Bread Loaf Writers’ Conference. She received an MFA in Creative Writing from Louisiana State University. She made her home in Louisiana for a decade. She wrote her way home to Memphis. She is a 2016 Prose Fellow for the National Endowment for the Arts and a 2016 Rona Jaffe Foundation Writers' Award Winner. Her Twitter is @jameyhatley.


Current Issue
28 Nov 2022

The comb is kept in a small case and a magnifying glass is there for you
Know that the end / is something that you cannot escape here.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
The new idea is to have the sixth sensors oversee the end of humanity.
By: RiverFlow
Translated by: Emily Jin
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
Wednesday: The Best American Science Fiction and Fantasy 2022 edited by Rebecca Roanhorse 
Friday: The Final Strife by Saara El-Arifi 
Issue 21 Nov 2022
Issue 14 Nov 2022
Issue 7 Nov 2022
Issue 31 Oct 2022
Issue 17 Oct 2022
Issue 10 Oct 2022
Issue 3 Oct 2022
Issue 26 Sep 2022
Issue 21 Sep 2022
Issue 12 Sep 2022
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