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Reading Dracula at the age of twelve ignited Margaret L. Carter's interest [email Margaret] in a wide range of horror, fantasy, and science fiction. Vampires, however, have always remained close to her heart, beginning with her first book, Curse of the Undead, an anthology of vampire fiction. Her dissertation for the University of California (Irvine) contained a chapter on Dracula, and its publication in book form was shortly followed by Dracula: The Vampire and the Critics and The Vampire in Literature: A Critical Biography. Her fiction includes stories in small press magazines and in anthologies such as Marion Zimmer Bradley's Darkover and "Sword and Sorceress" volumes; a werewolf novel, Shadow of the Beast; a vampire novel, Dark Changeling, which won an Eppie Award (presented by EPIC, an e-published authors' organization) in 2000 in the horror category; Child of Twilight, its sequel, an Eppie finalist in horror in 2004; and other horror and paranormal romance novels. Her first mass market novel, a vampire romance entitled Embracing Darkness was published in March 2005 by Silhouette Intimate Moments. Her monograph Different Blood: The Vampire as Alien was a 2005 Eppie finalist in nonfiction. Her latest books include Maiden Flights, From the Dark Places, and Besieged Adept (with Leslie Roy Carter). She also publishes a monthly author newsletter, "News from the Crypt," containing announcements, fiction excerpts, and guest author interviews.


Current Issue
28 Nov 2022

The comb is kept in a small case and a magnifying glass is there for you
Know that the end / is something that you cannot escape here.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
The new idea is to have the sixth sensors oversee the end of humanity.
By: RiverFlow
Translated by: Emily Jin
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
Wednesday: The Best American Science Fiction and Fantasy 2022 edited by Rebecca Roanhorse 
Friday: The Final Strife by Saara El-Arifi 
Issue 21 Nov 2022
Issue 14 Nov 2022
Issue 7 Nov 2022
Issue 31 Oct 2022
Issue 17 Oct 2022
Issue 10 Oct 2022
Issue 3 Oct 2022
Issue 26 Sep 2022
Issue 21 Sep 2022
Issue 12 Sep 2022
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