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Mehnaz Sahibzada was born in Pakistan and raised in Los Angeles. She is a 2009 PEN USA Emerging Voices Fellow in Poetry. Her chapbooks, Tongue-Tied: A Memoir in Poems (2012), and Summer Forgets to Wear a Petticoat (2016), were both published by Finishing Line Press. Her work has appeared in numerous publications, such as Moira, The Literary Hatchet, Asia Writes, Strange Cargo, The Rattling Wall, and Pedestal Magazine. In Fall 2016, Mehnaz served as a screener for Claremont Graduate University’s Kate and Kingsley Tufts Poetry Awards, reviewing hundreds of full-length manuscripts. A high school English teacher, she lives in southern California. To learn more about Mehnaz, visit her website.


Current Issue
28 Nov 2022

The comb is kept in a small case and a magnifying glass is there for you
Know that the end / is something that you cannot escape here.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
The new idea is to have the sixth sensors oversee the end of humanity.
By: RiverFlow
Translated by: Emily Jin
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
Wednesday: The Best American Science Fiction and Fantasy 2022 edited by Rebecca Roanhorse 
Friday: The Final Strife by Saara El-Arifi 
Issue 21 Nov 2022
Issue 14 Nov 2022
Issue 7 Nov 2022
Issue 31 Oct 2022
Issue 17 Oct 2022
Issue 10 Oct 2022
Issue 3 Oct 2022
Issue 26 Sep 2022
Issue 21 Sep 2022
Issue 12 Sep 2022
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