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Recently from NYC to Portland, Oregon, Nathan and Noah Rice have studied both academically and independently, with a focus in anthropology, architecture and religion. Working in a constant collaborative effort they have exhibited work in Portland, Philadelphia and NYC. Each project has varied in styles, mediums and techniques ranging from mixed-media to graffiti to film. They are currently concentrating on new research and images for silk-screen apparel.

You can view more of Nathan and Noah's artwork at, and they can be contacted by email at

Tour Nathan and Noah's work, piece by piece.

View thumbnails of Nathan and Noah's work.

Nathan Rice in our archives
Current Issue
28 Nov 2022

The comb is kept in a small case and a magnifying glass is there for you
Know that the end / is something that you cannot escape here.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
The new idea is to have the sixth sensors oversee the end of humanity.
By: RiverFlow
Translated by: Emily Jin
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
Issue 21 Nov 2022
Issue 14 Nov 2022
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Issue 31 Oct 2022
Issue 17 Oct 2022
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Issue 3 Oct 2022
Issue 26 Sep 2022
Issue 21 Sep 2022
Issue 12 Sep 2022
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