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Pat Cadigan, "The Queen of Cyberpunk" (Guardian), has been writing since childhood, and had her first professionally published story in 1980. Her novels include Mindplayers, Synners, Fools, Tea from an Empty Cup, and Dervish Is Digital. Synners and Fools both won the Arthur C Clarke Award. Pat's many short stories have been published in magazines and anthologies, covering a wide spectrum of science fiction, fantasy, horror, and "unclassifiable." Born in New York, raised in Massachusetts, she spent much of her adult life in Overland Park, Kansas, moving to London in 1996. She lives there with husband Chris Fowler, son Rob, and Miss Kitty Calgary, Queen of the Cats. She is currently working on a number of novels. All of her major work will be available online through the SF Gateway in late September 2011.


Pat Cadigan in our archives
Current Issue
28 Nov 2022

The comb is kept in a small case and a magnifying glass is there for you
Know that the end / is something that you cannot escape here.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
The new idea is to have the sixth sensors oversee the end of humanity.
By: RiverFlow
Translated by: Emily Jin
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
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