Size / / /

Einstein once described his life as a series of attempts to free himself from the chains of the "merely personal." That's an interesting phrase: "merely personal." Does the personal deserve to be prefaced by the word "merely"? There's a sense in which that question lies at the heart of the divide between SF and mainstream fiction; SF readers routinely criticize mainstream fiction for focusing too tightly on the personal, while mainstream readers criticize SF for giving short shrift to the personal.

Which is the greater tragedy: the fall of an empire, or the end of your marriage? Is it more important to make a major scientific discovery, or to be a good parent to your child? It's a false dichotomy to say that fiction should only concern itself with one or the other; all of these issues are worthy subjects for fiction. Unfortunately, it can be hard to tell stories on a grand scale and an intimate scale simultaneously, and most fiction prioritizes one over the other. Science fiction has traditionally opted for the fall of empires and the scientific discoveries, but that preference is not intrinsic to the genre.

One of the writers who helped me realize that was Edward Bryant. The stories in his collection Particle Theory showed me that science could be used metaphorically to illuminate human experience, and that the personal could reinforce the "big ideas" rather than compete with them. I discovered him when I was in college, at the same time I first started reading writers like William Gibson and Gene Wolfe and John Crowley. They all expanded my ideas of what SF could do, but the one whose influence on my work is clearest is Bryant.


Read "Particle Theory," by Edward Bryant




Ted Chiang is the author of the collection Stories of Your Life and Others and, most recently, the novella The Lifecycle of Software Objects. His fiction has won the Hugo, Nebula, Sturgeon, and Locus awards.
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14 Apr 2025

back-legg-ed, puppy shaped and squirmy
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Strange Horizons
On June 4th, we will be opening for speculative fiction novelette submissions between the word count of 10,000 and 18,000 words. We will cap submissions at 300.
Strange Horizons
On November 3rd, we will be opening for speculative fiction stories written by Indigenous authors. We will be capping submissions at 500.
The formula for how to end the world got published the same day I married the girl who used to bully me in middle school. We found out about it the morning after, on the first day of our honeymoon in Cozumel. I got out of the shower in our small bungalow and Minju was sitting in bed, staring at her laptop.
In this episode of Strange Horizons at 25, editor Kat Kourbeti talks to Charlie Jane Anders about her Strange Horizons publications dating all the way back to 2002, charting her journey as a writer and her experience with the magazine over 20 years, as well as her love for community events and bringing people together.
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By: Lowry Poletti
Podcast read by: Emmie Christie
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By: Alexandra Munck
Podcast read by: Claire McNerney
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By: River
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