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Strange Horizons will be open to fiction submissions on October 3rd, 2022, at 9 a.m. UTC! To keep our response times manageable and submission windows more frequent, there will be a 1,000-story cap on submissions. Please note that a previous version of this page stated an opening date of October 1st. We have since updated and changed it.

Once we receive 1,000 stories, we’ll close our portal while we work through your stories. If our portal is open, we are still accepting stories, but once it is closed, please do not send us your work.

Please see our fiction submission guidelines for more details on how to submit once we open and what we publish. Since we are using a story cap, we encourage authors to submit promptly!

But don’t worry, if you happen to miss our October open submission period, we will re-open again in the future.



Aigner Loren Wilson (she/her) is a queer Black writer and editor of literary speculative fiction. Along with her work with Strange Horizons, she’s been an associate editor for the horror podcast NIGHTLIGHT, a guest editor for Fireside Fiction, and a judge for the NYC Midnight contests. Her work has appeared or is forthcoming in The Magazine of Fantasy and Science Fiction, Interzone Magazine, WIRED, Lightspeed Magazine, and many more.
Current Issue
27 Mar 2023

close calls when / I’m with Thee / dressed to the nines
they took to their heels but the bird was faster.
In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Reviews Editors Aisha Subramanian and Dan Hartland talk to novelist, reviewer, and Strange Horizons’ Co-ordinating Editor, Gautam Bhatia, about how reviewing and criticism of all kinds align—and do not—with fiction-writing and the genre more widely.
If the future is here, but unevenly distributed, then so is the past.
He claims that Redlow used to be a swamp and he has now brought them into the future before the future. Yes he said that.
My previous Short Fiction Treasures column was all about science fiction, so it’s only fair that the theme this time around is fantasy.
I’ve come to think of trans-inclusive worldbuilding as an activist project in itself, or at least analogous to the work of activists. When we imagine other worlds, we have to observe what rules we are creating to govern the characters, institutions, and internal logic in our stories. This means looking at gender from the top down, as a regulatory system, and from the bottom up, at the people on the margins whose bodies and lives stand in some kind of inherent opposition to the system itself.
Issue 20 Mar 2023
Issue 13 Mar 2023
Issue 6 Mar 2023
Issue 20 Feb 2023
Issue 13 Feb 2023
Issue 6 Feb 2023
Issue 30 Jan 2023
By: Catherine Rockwood
By: Romie Stott
Podcast read by: Ciro Faienza
Podcast read by: Catherine Rockwood
Podcast read by: Romie Stott
Podcast read by: Maureen Kincaid Speller
Issue 23 Jan 2023
Issue 16 Jan 2023
Issue 9 Jan 2023
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