Sionnain Buckley is a writer and visual artist based in Boston. Her work has appeared or is slated to appear in Winter Tangerine, Wigleaf, Autostraddle, Phantom Drift, and others. Her fiction has been nominated for Best of the Net and Best Small Fictions, and she is a 2019 Rhinebeck Resident with The Seventh Wave. She also serves as a prose editor at 3Elements Review. More of her work can be found at sionnainbuckley.com.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
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