Size / / /

Direct link: August poetry (MP3)

In this episode of the Strange Horizons podcast, editor Anaea Lay presents poetry from the August issues.

  • “Note to the Caretaker" by Lisa Bellamy, read by Ciro Faienza. You can read the full text of the poem and more about Lisa here.
  • “Helmets of the Future" by Jessy Randall, read by Julia Rios. You can read the full text of the poem and more about Jessy here.
  • “A Universe Collided" by Charles Bane, Jr., read by Diane Severson Mori. You can read the full text of the poem and more about Charles here.
  • “A Pantheon of Madnesses" by Cory O'Brien, read by Cory O'Brien. You can read the full text of the poem and more about Cory here.



Charles Bane, Jr. is the American author of The Chapbook (Curbside Splendor, 2011) and Love Poems (Aldrich Press, 2014). The Huffington Post described his work as "not only standing on the shoulders of giants, but shrinking them." The creator of the Meaning Of Poetry Series for The Project Gutenberg Project, he is a current nominee as Poet Laureate of Florida. His website is www.charlesbanejr.com.
Ciro Faienza (pronounced CHEE-roh) is an American/Italian national. He has acted on stages and screens throughout Texas and Massachusetts, and his work as a filmmaker has shown at the Dallas Museum of Art, the Dallas Hub Theater, and the National Gallery, London. His fiction is featured in numerous publications, including Daily Science Fiction and Futuristica, Vol 1. His short story "J'ae's Solution" was a top finalist in PRI's 3-Minute Futures Contest. You can see his visual artwork at his web gallery, Postmedium.
Cory O'Brien is a writer, primarily of words, but also computer code and faces. He has an MFA in writing from the School of the Art Institute of Chicago. He is the author of Zeus Grants Stupid Wishes: A No-Bullshit Guide to World Mythology. He retells mythology and his life story at bettermyths.com.
Jessy Randall's poems, comics, and other things have appeared in Strange Horizons, Asimov's, and McSweeney's. Her most recent book is How to Tell If You Are Human: Diagram Poems (Pleiades Press, 2018). She is a librarian at Colorado College, and her website is http://bit.ly/JessyRandall.
Julia Rios is a queer, Latinx writer, editor, podcaster, and narrator whose writing has appeared in Latin American Literature Today, Lightspeed, and Goblin Fruit, among other places. Formerly a fiction editor for Strange Horizons, their editing work has won multiple awards, including the Hugo Award. Julia is a co-host of This is Why We're Like This, a podcast about how the movies we watch in childhood shape our lives, for better or for worse. They've narrated stories for Escape Pod, Podcastle, Pseudopod, and Cast of Wonders. Find them on Twitter as @omgjulia.
Lisa Bellamy teaches at The Writers Studio. Her chapbook, Nectar, won the Encircle Publications Chapbook Contest. Her work has appeared in Tri-QuarterlyThe Sun, New Ohio Review, Calyx, and PANK, among other publications. She won the Fugue Poetry Prize and received honorable mention in Year's Best Fantasy and Horror 2007.
Current Issue
27 Mar 2023

close calls when / I’m with Thee / dressed to the nines
they took to their heels but the bird was faster.
In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Reviews Editors Aisha Subramanian and Dan Hartland talk to novelist, reviewer, and Strange Horizons’ Co-ordinating Editor, Gautam Bhatia, about how reviewing and criticism of all kinds align—and do not—with fiction-writing and the genre more widely.
If the future is here, but unevenly distributed, then so is the past.
He claims that Redlow used to be a swamp and he has now brought them into the future before the future. Yes he said that.
My previous Short Fiction Treasures column was all about science fiction, so it’s only fair that the theme this time around is fantasy.
I’ve come to think of trans-inclusive worldbuilding as an activist project in itself, or at least analogous to the work of activists. When we imagine other worlds, we have to observe what rules we are creating to govern the characters, institutions, and internal logic in our stories. This means looking at gender from the top down, as a regulatory system, and from the bottom up, at the people on the margins whose bodies and lives stand in some kind of inherent opposition to the system itself.
Issue 20 Mar 2023
Issue 13 Mar 2023
Issue 6 Mar 2023
Issue 20 Feb 2023
Issue 13 Feb 2023
Issue 6 Feb 2023
Issue 30 Jan 2023
By: Catherine Rockwood
By: Romie Stott
Podcast read by: Ciro Faienza
Podcast read by: Catherine Rockwood
Podcast read by: Romie Stott
Podcast read by: Maureen Kincaid Speller
Issue 23 Jan 2023
Issue 16 Jan 2023
Issue 9 Jan 2023
Load More
%d bloggers like this: