Size / / /

Direct link: August Poetry (mp3)

In this episode of the Strange Horizons podcast, editor Anaea Lay presents poetry from the August issues of Strange Horizons.

  • "A Modern Prometheus" by Lynette Mejía, read by Julia Rios. You can read the full text of the poem, and more about Lynette, here.
  • "my father as a sonnet on the human meaning of inhuman stars" by Andrew Brenza, read by Anaea Lay. You can read the full text of the poem, and more about Andrew, here.
  • "All That Her Mother Left Her" by John W. Sexton read by Julia Rios. You can read the full text of the poem, and more about John, here.
  • "Abduction" by Laura Madeline Wiseman, read by Laura Madeline Wiseman. You can read the full text of the poem, and more about Laura, here.
  • "St. Patrick and the Snakes" by Jane Yolen, read by Ciro Faienza. You can read the full text of the poem, and more about Jane, here.

Subscribe to the Strange Horizons podcast: iTunes | RSS | Other Options




Anaea Lay lives in Chicago, Illinois where she writes, cooks, plays board games, reads too much, and questions the benevolence of the universe. Her work has appeared in many places including Apex, Penumbra, Lightspeed, Daily Science Fiction, and Nightmare. She lives online at anaealay.com.
Andrew Brenza lives and writes in the Philadelphia area with his wife and young son. His work has appeared in or is forthcoming from Shampoo, Glitterpony, Jellyfish, and/or, Sawbuck, and The Scrambler, among others.  He is obsessed with cold seeps, hot vents, and tidal pools.
Ciro Faienza (pronounced CHEE-roh) is an American/Italian national currently residing in Pescara, Italy. He has acted on stages and screens throughout Texas and Massachusetts, and his work as a filmmaker has shown at the Dallas Museum of Art, the Dallas Hub Theater, and the National Gallery, London. His fiction is featured in numerous publications, including Daily Science Fiction and Futuristica, Vol 1. His short story "J'ae's Solution" was a top finalist in PRI's 3-Minute Futures Contest. During the day he teaches English and American business culture. Find him at his Facebook author page and on @cirofaienza.
Jane Yolen writes poetry for both children and adults. She is a past winner of the Science Fiction Poetry Association’s Rhysling award for a short poem, Dwarf Star Award for poems under ten lines, as well as being named by the Association as a Grand Master of science fiction and fantasy poetry. She is a frequent poetry contributor to such genre magazines as Asimov’s, Mythic Delirium, and Goblin Fruit. She has over 370 books published, a huge number of them poetry. Her books have won the Caldecott, the Christopher Medal, the Jewish Book Award, and two of her stories were Nebula winners. Three of her books won the Mythopoeic Award. Last year, she was named a winner of the New England Public Radio’s Arts and Humanities Award. And her Skylark Award set her good coat on fire.
John W. Sexton lives in Ireland and is the author of five previous poetry collections, the most recent being The Offspring of the Moon (Salmon, 2013). His sixth collection, Futures Pass, is due from Salmon in 2015. In 2007 he was awarded a Patrick and Katherine Kavanagh Fellowship in Poetry.
Julia Rios is a queer, Latinx writer, editor, podcaster, and narrator whose writing has appeared in Latin American Literature Today, Lightspeed, and Goblin Fruit, among other places. Formerly a fiction editor for Strange Horizons, their editing work has won multiple awards, including the Hugo Award. Julia is a co-host of This is Why We're Like This, a podcast about how the movies we watch in childhood shape our lives, for better or for worse. They've narrated stories for Escape Pod, Podcastle, Pseudopod, and Cast of Wonders. Find them on Twitter as @omgjulia.
Laura Madeline Wiseman's debut book of poetry is Sprung (San Francisco Bay Press). She is also the author of six chapbooks, including 2012's Unclose the Door. She is the editor of Women Write Resistance: Poets Resist Gender Violence (Hyacinth Girl Press). She has a doctorate from the University of Nebraska-Lincoln, where she teaches creative writing. Stranger Still, a new anthology of her alien-themed poems, will be available in October 2013, and can be pre-ordered through Finishing Line Press.
Lynette Mejía writes science fiction, fantasy, and horror prose and poetry from the middle of a deep, dark forest in the wilds of southern Louisiana. Her work has appeared in Daily Science Fiction, Nature: Futures, and others, and has been nominated for the Pushcart Prize, the Rhysling Award, and the Million Writers Award. You can find her online at www.lynettemejia.com.
Current Issue
1 Dec 2020

A toda la gente lectora: esperamos que disfruten mucho este especial de México de Strange Horizons. To all readers: we hope you enjoy this special issue from Mexico by Strange Horizons.
Onka miyek tlajle. Se lamajtsin itsintlan se xalxokokojtle kitlajkwilia etl.
The painful stigmata did not let me drive for long. / El doloroso estigma no me permitió conducir.
By: Ateri Miyawatl
Translated by: Ateri Miyawatl
Hay mucha tierra. Una anciana sentada bajo un árbol de guayaba limpia frijol negro.
By: Ateri Miyawatl
Translated by: Adam Coon
There is a lot of earth. An elderly woman gathers beans below a guava tree.
—Soy un tlacuache y tengo la culpa de tu extinción, Armando.
“I am a tlacuache, and your extinction is my fault, Armando.”
En el fondo del mar no hay poetas, sólo criaturas fotovoltaicas y paisajes sombríos.
By: Vraiux Dorós
Translated by: Toshiya Kamei
No poets are found at the bottom of the sea—only photovoltaic creatures and ghostly landscapes.
Manx was an amorphous alien made of pink slime, lard, and buttercream.
By: Luz Rosales
Translated by: Andrea Chapela
Manx era un alienígena amorfo rosa, hecho de babaza, manteca y crema para batir.
La materia oscura abarca ochenta por ciento del universo y, como el agar en un medio de cultivo, es lo que permite que estructuras como cúmulos o galaxias permanezcan unidas.
Dark matter makes up eighty percent of the universe. Like agar culture medium, this is what holds things like galaxy clusters—and galaxies themselves—together.
She checks the knob and the door is unlocked—she pokes her head through. Smoke from burning sage wraps around her.
Toma el picaporte y, al girarlo, descubre que la casa está abierta. Cuando se asoma, la golpea un olor a salvia quemada.
La evoco ahora: la tarde fría, el jardín insólito, las enredaderas, los pináculos, los charcos en curiosas figuras chinescas.
I see it now: the cold afternoon, the curious garden, the climbing vines, the pinnacles, the oddly-shaped puddles like Chinese letters.
I thought it was one of those reserved for tourists and ignorant throats. / pensé que era uno de esos reservados para turistas y catadores ignorantes.
drinking the symphony of the galactic parrot / bebe la sinfonia del pájaro galáctico / sk’upinbe sk’ejoj mutal yut vinajel
Some Mexican visual artists that I've really been loving are Miguel Covarrubias, Emilio Amero, and particularly Ernesto García Cabral.
Issue 23 Nov 2020
By: Michael Bazzett
Podcast read by: Ciro Faienza
Podcast read by: Michael Bazzett
Issue 16 Nov 2020
By: Cat Aquino
Podcast read by: Kat Kourbeti
By: Michael Chang
Podcast read by: Ciro Faienza
Issue 9 Nov 2020
By: Miyuki Jane Pinckard
Podcast read by: Anaea Lay
Issue 2 Nov 2020
By: Allison Mulvihill
Podcast read by: Anaea Lay
By: Ali Trotta
Podcast read by: Ciro Faienza
Issue 19 Oct 2020
Podcast read by: Anaea Lay
By: Aber O. Grand
Podcast read by: Ciro Faienza
Issue 12 Oct 2020
By: Elisabeth R. Moore
Podcast read by: Anaea Lay
By: Stephanie Jean
Podcast read by: Ciro Faienza
Issue 5 Oct 2020
By: J.L. Akagi
Podcast read by: Anaea Lay
By: Lesley Wheeler
Podcast read by: Ciro Faienza
Podcast read by: Lesley Wheeler
Issue 28 Sep 2020
By: Maggie Damken
Podcast read by: Ciro Faienza
Issue 21 Sep 2020
By: Aqdas Aftab
Podcast read by: Anaea Lay
By: David Clink
Podcast read by: Ciro Faienza
Issue 14 Sep 2020
By: Fargo Tbakhi
Podcast read by: Anaea Lay
By: Jenny Blackford
Podcast read by: Ciro Faienza
Load More
%d bloggers like this: