Khaalidah Muhammad-Ali lives in Houston, Texas, with her husband and three children. By day she works as a breast oncology nurse. At all other times she juggles, none too successfully, writing, reading, gaming, and gardening. She has written one novel entitled An Unproductive Woman available on Amazon. She has also been published at Escape Pod and has publications upcoming in the An Alphabet of Embers anthology, Fiyah!, and Diabolical Plots. Khaalidah also coedits Podcastle.org where she is on a mission to encourage more women to submit fantasy stories. Of her alter ego, K from the planet Vega, it is rumored that she owns a time machine and knows the secret to long youth. She can be found online at http://khaalidah.com and on Twitter at @khaalidah.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
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