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Direct link: January poetry (MP3)

In this episode of the Strange Horizons podcast, editor Ciro Faienza presents poetry from the January issues.

  • “The Rambutan Man" by Naru Dames Sundar, read by Ciro Faienza. You can read the full text of the poem and more about Naru Dames here.
  • “Departures" by Sara Polsky, read by Romie Stott. You can read the full text of the poem and more about Sara here.
  • “Apotropaic Magic" by Margaret Wack, read by Romie Stott. You can read the full text of the poem and more about Margaret here.
  • “Uprooted" by Kit Hamada, read by Ciro Faienza. You can read the full text of the poem and more about Kit here.



Ciro Faienza (pronounced CHEE-roh) is an American/Italian national. He has acted on stages and screens throughout Texas and Massachusetts, and his work as a filmmaker has shown at the Dallas Museum of Art, the Dallas Hub Theater, and the National Gallery, London. His fiction is featured in numerous publications, including Daily Science Fiction and Futuristica, Vol 1. His short story "J'ae's Solution" was a top finalist in PRI's 3-Minute Futures Contest. You can see his visual artwork at his web gallery, Postmedium.
Kit Hamada graduated from Wellesley College with a double major in Computer Science and English, and now writes code for a living. Her poetry and fiction have previously appeared in Liminality and 101 Fiction. She resides in Madison, WI with an assortment of hockey players and four-legged beasts.
Margaret Wack is a writer, poet, and classicist whose work has been published in Strange Horizons, Liminality, Twisted Moon, and others.  More can be found at margaretwack.com.
Naru Sundar (@naru_sundar) writes speculative fiction of all kinds. He has previously been a DJ, a composer, and a potter. When he isn’t devouring books or writing, he enjoys music and art and deep moments in the redwoods of northern California.
Romie Stott is the administrative editor and a poetry editor of Strange Horizons. Her poems have appeared in inkscrawl, Dreams & Nightmares, Polu Texni, On Spec, The Deadlands, and Liminality, but she is better known for her essays in The Toast and Atlas Obscura, and a microfiction project called postorbital. As a filmmaker, she has been a guest artist of the National Gallery (London), the Institute of Contemporary Art (Boston), and the Dallas Museum of Art. You can find her fairly complete bibliography here.
Sara Polsky is the author of the YA novel This Is How I Find Her. Her book reviews and poetry have appeared previously in Strange Horizons.
Current Issue
22 Jul 2024

By: Mónika Rusvai
Translated by: Vivien Urban
Jadwiga is the city. Her body dissolves in the walls, her consciousness seeps into the cracks, her memory merges with the memories of buildings.
Jadwiga a város. Teste felszívódik a falakban, tudata behálózza a repedéseket, emlékezete összekeveredik az épületek emlékezetével.
Aqui jaz a rainha, gigante e imóvel, cada um de seus seis braços caídos e abertos, curvados, tomados de leves espasmos, como se esquecesse de que não estava mais viva.
By: Sourav Roy
Translated by: Carol D'Souza
I said sky/ and with a stainless-steel plate covered/ the rotis going stale 
मैंने कहा आकाश/ और स्टेनलेस स्टील की थाली से ढक दिया/ बासी पड़ रही रोटियों को
By: H. Pueyo
Translated by: H. Pueyo
Here lies the queen, giant and still, each of her six arms sprawled, open, curved, twitching like she forgot she no longer breathed.
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