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Direct link: June poetry (MP3)

In this episode of the Strange Horizons podcast, editor Anaea Lay presents poetry from the June issues.

  • “Straw-Fitted Elephants" by Salik Shah, read by Angelle Haney Gullet. You can read the full text of the poem and more about Salik here.
  • “In Cellars, Monsters" by Zella Christensen, read by Ciro Faienza. You can read the full text of the poem and more about Zella here.
  • “Hierarch" by Laura W. Allen, read by Julia Rios. You can read the full text of the poem and more about Laura here.
  • “Two Children" by Tendai Rinos Mwanaka, read by Tendai Rinos Mwanaka. You can read the full text of the poem and more about Tendai here.



Anaea Lay lives in Chicago, Illinois where she writes, cooks, plays board games, reads too much, and questions the benevolence of the universe. Her work has appeared in many places including Apex, Penumbra, Lightspeed, Daily Science Fiction, and Nightmare. She lives online at anaealay.com.
Angelle Haney Gullett is a podcast reader for Strange Horizons.
Ciro Faienza (pronounced CHEE-roh) is an American/Italian national currently residing in Pescara, Italy. He has acted on stages and screens throughout Texas and Massachusetts, and his work as a filmmaker has shown at the Dallas Museum of Art, the Dallas Hub Theater, and the National Gallery, London. His fiction is featured in numerous publications, including Daily Science Fiction and Futuristica, Vol 1. His short story "J'ae's Solution" was a top finalist in PRI's 3-Minute Futures Contest. During the day he teaches English and American business culture. Find him at his Facebook author page and on @cirofaienza.
Julia Rios is a queer, Latinx writer, editor, podcaster, and narrator whose writing has appeared in Latin American Literature Today, Lightspeed, and Goblin Fruit, among other places. Formerly a fiction editor for Strange Horizons, their editing work has won multiple awards, including the Hugo Award. Julia is a co-host of This is Why We're Like This, a podcast about how the movies we watch in childhood shape our lives, for better or for worse. They've narrated stories for Escape Pod, Podcastle, Pseudopod, and Cast of Wonders. Find them on Twitter as @omgjulia.
Laura W. Allen (formerly Laura F. Walton) is alternately a writer, visual artist, and instructor currently living in Seattle. She has taught for The Writer's Garret of Dallas, McLennan Community College, and others; her work has been published in regional and national journals. Her website is www.laurawaltonallen.com.
Salik Shah is a writer, filmmaker, and the founding editor of Mithila Review, the journal of international science fiction and fantasy (2015-). His work has appeared on Asimov’s Science Fiction, Strange Horizons, Tor.com, and The Gollancz Book of South Asian Science Fiction (Volume 2). Twitter: @salik. Website: salikshah.com.
Tendai Rinos Mwanaka has published over 200 short stories, essays, memoirs, poems, and visual art productions in over 100 magazines, journals, and anthologies, and has twice been nominated for the Pushcart Prize. His books include the political poetry collection Voices From Exile (Lapwing, 2010), Keys in the River (Savant, 2012), a novel of linked short stories, and Zimbabwe: The Blame Game, a creative nonfiction cycle published by Langaa RPCIG (2013). His website is www.facebook.com/tendai.mwanaka.
Zella Christensen is mostly from Wisconsin and studied creative writing at George Mason University. Her poetry has appeared in Star*LineMirror Dance, and elsewhere. She lives online at zellawrites.com.
Current Issue
24 Jan 2022

Piece of my essence, accept my sorry.
Some people, right? We’ll fold you into sparrows, help you disappear—I’m so glad we found you alive
By: Katy Bond
By: Averi Kurth
Podcast read by: Ciro Faienza
Podcast read by: Katy Bond
In this episode of the Strange Horizons podcast, editor Ciro Faienza presents the poetry of the 24 January issue.
Hope without action behind it is only a recipe for deeper heartache.
I love flash fiction for a lot of reasons. There’s the instant gratification of reading a complete work of fiction in just a few minutes. And there’s the way flash lends itself to playful, inventive experimentation with form, prose, style, voice, and subject. I also love the way a flash story can be honed and sharpened as everything extraneous is eliminated, and the way it can capture and convey the essence of something—an emotion, a world, a situation, a possibility, an idea, even a joke!—in brilliant brevity.
Wednesday: I am the Tiger by John Ajvide Lindqvist, translated by Marlaine Delargy 
Friday: The Tangleroot Palace Stories by Marjorie Liu 
Issue 17 Jan 2022
Issue 10 Jan 2022
Issue 3 Jan 2022
Strange Horizons
By: Antonio Funches
By: Lev Mirov
Podcast read by: Ciro Faienza
Issue 20 Dec 2021
By: Merie Kirby
Podcast read by: Ciro Faienza
Issue 13 Dec 2021
By: Freydís Moon
Podcast read by: Ciro Faienza
Issue 6 Dec 2021
By: C. S. E. Cooney
Podcast read by: Ciro Faienza
Podcast read by: C. S. E. Cooney
Issue 29 Nov 2021
Issue 22 Nov 2021
Issue 15 Nov 2021
By: Madeline Grigg
Podcast read by: Ciro Faienza
Issue 8 Nov 2021
By: Allison Parrish
Podcast read by: Ciro Faienza
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