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Direct link: June Poetry (mp3) 

In this episode of the Strange Horizons podcast, editor Anaea Lay presents poetry from the June issues of Strange Horizons.

  • "Again, Pygmalion" By Stella Nickerson. You can read the full text of the poem, and more about Stella, here.
  • "Maidenhead" By Adriana Tosun. You can read the full text of the poem, and more about Adriana, here.
  • "Once, I Was a Mermaid" By Alicia Cole. You can read the full text of the poem, and more about Alicia, here.
  • "Air on a G String" By Jude Cowan Montague. You can read the full text of the poem, and more about Jude, here.

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Adriana Tosun currently lives between New Jersey and Paris, but before that she lived on a schooner in Maine. Go figure. Her poetry has previously been published in Divine Dirt Quarterly.
Alicia Cole is a writer and artist in Huntsville, Alabama. She's an Irish-American, autistic, dyscalculic, 2E, MAD, bisexual, genderfluid, survivor woman (one), who is an alt-spiritual practitioner.  Her poetry has recently appeared in Reckoning, isacoustic*, and NILVX. She's a studio artist at InsideOut Studio at Lowe Mill, a studio for disabled adults, and she attends Merrimack Hall, a performing arts school for the disabled.  She lives with her husband, five animals, and some plants, and loves tea, coffee, and claw machines. Her favorite holiday is Halloween.
Anaea Lay lives in Chicago, Illinois where she writes, cooks, plays board games, reads too much, and questions the benevolence of the universe. Her work has appeared in many places including Apex, Penumbra, Lightspeed, Daily Science Fiction, and Nightmare. She lives online at anaealay.com.
Jude Cowan Montague is a composer/musician, writer, and artist. Recent albums are available on the Three Legs Duck and Linear Obsessional netlabels. Her first collection of poetry, For the Messengers (Donut Press, 2011), is a study of Reuters news stories throughout 2008 and is based on her day job as a media archivist and film historian. She improvises using electronica and voice on Reuters stories for her monthly show World News Vision on Soundart Radio. She is also one half of the duo Foulkestone, which performs traditional folk songs with electronic instrumentation.
Originally from Mississippi, Stella Nickerson studied engineering at Brigham Young University. She is now pursuing an advanced engineering degree at Arizona State University. Her poetry has previously appeared in Cicada and in Strong Verse.
Current Issue
28 Nov 2022

The comb is kept in a small case and a magnifying glass is there for you
Know that the end / is something that you cannot escape here.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
The new idea is to have the sixth sensors oversee the end of humanity.
By: RiverFlow
Translated by: Emily Jin
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
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