Christine Lucas lives in Greece with her husband and a horde of spoiled animals. A retired Air Force officer and mostly self-taught in English, Christine has had her work appear in several print and online magazines, including Daily Science Fiction, Pseudopod/Artemis Rising 4, and Nature: Futures. She was a finalist for the 2017 WSFA award and is currently working on her first novel. Visit her at http://werecat99.wordpress.com/.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
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