Mary McMyne is the author of poems, stories, and essays in venues like Gulf Coast, Apex Magazine, Southern Humanities Review, and Pedestal Magazine. She has won the Faulkner-Wisdom Prize for a Novel-in-Progress, an award from the Sustainable Arts Foundation, and a National Endowment for the Arts Parent Fellowship to Vermont Studio Center. Her debut poetry chapbook, Wolf Skin (Dancing Girl Press, 2014), won the Elgin Chapbook Award.
Ugonna-Ora Owoh is a Nigerian poet and model. He is a recipient of a 2018 Young Romantics Keats-Shelley Prize and a 2019 Erbacce Prize. He is a winner of a 2019 Stephen A. DiBiase International Poetry Prize and a 2018 Fowey Festival short story prize. His recent poems are in Cōnfingō Magazine, The Malahat Review, Space and Time, B Cubed, Leading Edge, The Puritan, Vassar Review, and elsewhere.
Although the science fiction community has engaged in a significant, concerted, and necessary effort to correct for many of Campbell’s prejudices surrounding race and gender, there has yet to be a similar corrective effort on matters concerning class and labour.
The unofficial theme for this Short Fiction Treasures column is “arts, crafts, and work.” Whether the art, craft, or work is the main theme of the story, or whether it’s there as background and setting, it can add a level of immersion and satisfying texture to speculative fiction that I find irresistible.
Strange Horizons is a weekly magazine of and about speculative fiction. We publish fiction, poetry, reviews, essays, interviews, and art. For more information, see our about page. All material in Strange Horizons is copyrighted to the original authors and may not be reproduced without permission.