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Direct link: October poetry (MP3)

In this episode of the Strange Horizons podcast, editor Anaea Lay presents poetry from the October issues of Strange Horizons.

  • “Tatakai“ by Shweta Narayan read by Shweta Narayan. You can read the full text of the poem, and more about Shweta here.
  • “How a Mermaid spends her winters“ by Marchell Dyon read by Julia Rios. You can read the full text of the poem, and more about Marchell here.
  • “Slouching Towards the Garden“ by Margarita Tenser read by Ciro Faienza. You can read the full text of the poem, and more about Margarita here.
  • “Ivy“ by April Grant read by April Grant. You can read the full text of the poem, and more about April here.
  • “Memento Mori“ by Richard Prins read by Richard Prins. You can read the full text of the poem, and more about Richard here.



April Grant lives in Boston. Her backstory includes time as a sidewalk musician, real estate agent, public historian, dishwasher, and librarian. Among her hobbies are biking and ruin appreciation.
Ciro Faienza (pronounced CHEE-roh) is an American/Italian national currently residing in Pescara, Italy. He has acted on stages and screens throughout Texas and Massachusetts, and his work as a filmmaker has shown at the Dallas Museum of Art, the Dallas Hub Theater, and the National Gallery, London. His fiction is featured in numerous publications, including Daily Science Fiction and Futuristica, Vol 1. His short story "J'ae's Solution" was a top finalist in PRI's 3-Minute Futures Contest. During the day he teaches English and American business culture. Find him at his Facebook author page and on @cirofaienza.
Julia Rios is a queer, Latinx writer, editor, podcaster, and narrator whose writing has appeared in Latin American Literature Today, Lightspeed, and Goblin Fruit, among other places. Formerly a fiction editor for Strange Horizons, their editing work has won multiple awards, including the Hugo Award. Julia is a co-host of This is Why We're Like This, a podcast about how the movies we watch in childhood shape our lives, for better or for worse. They've narrated stories for Escape Pod, Podcastle, Pseudopod, and Cast of Wonders. Find them on Twitter as @omgjulia.
Marchell Dyon is from Chicago, Illinois. Her work has appeared in many publications in print and online. Her most recent work has appeared in Full of Crow, Rainbow Rose Ezine, Blue Lake Review (June 2013), A Little Poetry, and Medusa's Kitchen.
Margarita Tenser is a Ukrainian-born Aussie with a large comic book collection, an intense relationship with punctuation, and a pixie haircut, provided the pixie was dragged through a hedge backwards. She has previously had poetry published in Voiceworks and the UTS Anthology.
Richard Prins received his MFA degree in poetry from New York University. Now he divides his time between managing a building in Brooklyn and consulting for an entertainment company in Dar es Salaam. His work appears in Los Angeles Review, Painted Bride Quarterly, Rattle, Redivider, and THRUSH Poetry Journal.
Shweta Narayan was born in India and has lived in Malaysia, Saudi Arabia, the Netherlands, Scotland, and California. They feel kinship with shapeshifters and other liminal beings. Their short fiction and poetry has appeared in Strange Horizons, Mithila Review, Breaking the Bow: Speculative Fiction Inspired by the Ramayana, We See a Different Frontier: A Postcolonial Speculative Fiction Anthology, An Alphabet of Embers: An Anthology of Unclassifiables, Lightspeed: Queers Destroy Fantasy, and Clockwork Phoenix 3, among others. Shweta was the Octavia Butler Memorial Scholarship recipient at Clarion 2007 and was shortlisted for the 2010 Nebula Awards.
Current Issue
26 Oct 2020

これは大正時代のお話である。廿世紀も早十五年を過ぎて、新世紀到来の興奮もすっかり冷めた頃合いである。
I couldn’t write any more. It turned out that the trajectory of my world had been determined by the stitches of so many regrets. It turned out that I had had so many chances to enter into a new, potentially better world.
我写不下去了。原来,我所在的世界线,是由这么多遗憾的节点织成的。原来,我有这么多机会,进入一个可能更好的世界。
Heitaro was a rational young fellow who believed in the progress and harmony of mankind. He felt nothing but contempt for ghosts and yokai and didn’t hesitate to declare that anyone scared of such insubstantial phenomena was an unenlightened imbecile. He had a habit of saying things like, “Act like you’re living in the 20th century!”
along the coast we have islands like the pirate Cofresí. Fairytale vanish has since disappeared.
Issue 19 Oct 2020
Podcast read by: Anaea Lay
By: Aber O. Grand
Podcast read by: Ciro Faienza
Issue 12 Oct 2020
By: Elisabeth R. Moore
Podcast read by: Anaea Lay
By: Stephanie Jean
Podcast read by: Ciro Faienza
Issue 5 Oct 2020
By: J.L. Akagi
Podcast read by: Anaea Lay
By: Lesley Wheeler
Podcast read by: Ciro Faienza
Podcast read by: Lesley Wheeler
Issue 28 Sep 2020
By: Maggie Damken
Podcast read by: Ciro Faienza
Issue 21 Sep 2020
By: Aqdas Aftab
Podcast read by: Anaea Lay
By: David Clink
Podcast read by: Ciro Faienza
Issue 14 Sep 2020
By: Fargo Tbakhi
Podcast read by: Anaea Lay
By: Jenny Blackford
Podcast read by: Ciro Faienza
Issue 7 Sep 2020
By: Catherynne M. Valente
Podcast read by: Anaea Lay
By: Bethany Powell
Podcast read by: Ciro Faienza
Podcast read by: Bethany Powell
Issue 31 Aug 2020
By: R.B. Lemberg
By: Julia Rios
By: Sonya Taaffe
Podcast read by: Ciro Faienza
Podcast read by: R.B. Lemberg
Podcast read by: Julia Rios
Podcast read by: Sonya Taaffe
Issue 24 Aug 2020
By: Leslie J. Anderson
Podcast read by: Ciro Faienza
Podcast read by: Leslie J. Anderson
Issue 17 Aug 2020
By: Emma Törzs
Podcast read by: Anaea Lay
By: Liz Adair
Podcast read by: Ciro Faienza
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