When he is not receiving tonnes of rejections from cat adoption agencies, Innocent finds time to read and write. He is a 2019 Author of Tomorrow and a Gerald Kraak Award finalist. Inno has works published and forthcoming in Fireside Magazine, Reckoning, Strange Horizons, Cast of Wonders, Overland Magazine, Cosmic Roots and Eldritch Shores, Brittle Paper, Transcendent 4: The Year's Best Transgender Speculative Fiction, SSDA ID Anthology, and elsewhere. You can find him on Twitter @ethereal_ilo.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
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