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Direct link: September poetry (MP3)

In this episode of the Strange Horizons podcast, editor Anaea Lay presents poetry from the issues.

  • “Hunger" by Alexandra Seidel, read by Alexandra Seidel. You can read the full text of the poem and more about Alexandra here.
  • “Beneath the Wheeler Centre" by Jenny Blackford, read by Julia Rios. You can read the full text of the poem and more about Jenny here.
  • “Bodega Dunes" by Carrie Naughton, read by Carrie Naughton. You can read the full text of the poem and more about Carrie here.
  • “Crumbs" by Florence Lenaers, read by Maxwell Singer. You can read the full text of the poem and more about Florence here.
  • “Rainspeaking" by Mat Joiner, read by Anaea Lay. You can read the full text of the poem and more about Mat here.



Alexandra Seidel spent many a night stargazing when she was a child. These days, she writes stories and poems, something the stargazing probably helped with. Alexa’s writing has appeared in Strange Horizons, Uncanny Magazine, Fireside Magazine, and elsewhere. You can follow her on Twitter @Alexa_Seidel, like her Facebook page, and find out what she’s up to at alexandraseidel.com.
Anaea Lay lives in Chicago, Illinois where she writes, cooks, plays board games, reads too much, and questions the benevolence of the universe. Her work has appeared in many places including Apex, Penumbra, Lightspeed, Daily Science Fiction, and Nightmare. She lives online at anaealay.com.
Carrie Naughton is a freelance bookkeeper who writes speculative fiction, environmental essays, book reviews, and poetry. Her work can be read at Luna Station Quarterly, WordsDance, Star*Line, and NonBinary Review. Find her at carrienaughton.com—where she blogs frequently about whatever captures her interest.
Florence Lenaers is a physics PhD student from Belgium. She devises plots populated with atoms and laser beams, while always on the lookout for an etymological journey. This is her first published piece. She tweets as @flloaers.
Jenny’s poems and stories have appeared in august Australian and international literary journals and anthologies, as well as Asimov’s, Strange Horizons, Cosmos magazine, and multiple Rhysling anthologies. Her latest collection from Pitt Street Poetry is The Alpaca CantosEagle Books published her ghostly middle-grade adventure The Girl in the Mirror in October 2019. She is jennyblackford on Facebook and @dutiesofacat on Twitter. www.jennyblackford.com
Julia Rios is a queer, Latinx writer, editor, podcaster, and narrator whose writing has appeared in Latin American Literature Today, Lightspeed, and Goblin Fruit, among other places. Formerly a fiction editor for Strange Horizons, their editing work has won multiple awards, including the Hugo Award. Julia is a co-host of This is Why We're Like This, a podcast about how the movies we watch in childhood shape our lives, for better or for worse. They've narrated stories for Escape Pod, Podcastle, Pseudopod, and Cast of Wonders. Find them on Twitter as @omgjulia.
Mat Joiner lives near Birmingham, England, where they absorb tea and second-hand books, watch foxes, and admire crumbling buildings. Their stories and poems have appeared in Not One Of UsLackingtons, Goblin Fruit, and Stone Telling. You can find them on Twitter as @damsonfox
Maxwell Singer is a podcast reader for Strange Horizons.
Current Issue
28 Nov 2022

The comb is kept in a small case and a magnifying glass is there for you
Know that the end / is something that you cannot escape here.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
The new idea is to have the sixth sensors oversee the end of humanity.
By: RiverFlow
Translated by: Emily Jin
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
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