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Direct link: September poetry (MP3)

In this episode of the Strange Horizons podcast, editor Ciro Faienza presents poetry from the September issues.

  • “Taboo" by Sara Norja, read by Romie Stott. You can read the full text of the poem and more about Sara here.
  • “Sharing Bites" by Ahimaz Rajessh, read by Ciro Faienza. You can read the full text of the poem and more about Ahimaz here.
  • “Athena and Yeshua" by Gillian Daniels, read by Ciro Faienza. You can read the full text of the poem and more about Gillian here.
  • “little stomach" by Charlotte Geater, read by Ciro Faienza. You can read the full text of the poem and more about Charlotte here.



Ahimaz Rajessh has been published in Birkensnake, Nether, Apocrypha and Abstractions, Apparent Magnitude, The Fractured Nuance, 7x20, Cuento, unFold, Flapperhouse, theEEEL, Pidgeonholes, and 200 CCs. His writing is forthcoming in Milkfist.
Charlotte Geater is an editor at the Emma Press. Her poetry has previously been published at Queen Mob’s Teahouse and Strange Horizons. She lives in London. She is on twitter at @tambourine.
Ciro Faienza (pronounced CHEE-roh) is an American/Italian national. He has acted on stages and screens throughout Texas and Massachusetts, and his work as a filmmaker has shown at the Dallas Museum of Art, the Dallas Hub Theater, and the National Gallery, London. His fiction is featured in numerous publications, including Daily Science Fiction and Futuristica, Vol 1. His short story "J'ae's Solution" was a top finalist in PRI's 3-Minute Futures Contest. You can see his visual artwork at his web gallery, Postmedium.
Gillian Daniels attended the 2011 Clarion Science Fiction and Fantasy Writing Workshop and afterward moved to Boston, MA. Her work appears in Apex Magazine, PodCastle, Flash Fiction Online, and Lady Churchill's Rosebud Wristlet among others. She writes reviews for Fantastic Stories of the Imagination.
Romie Stott is the administrative editor and a poetry editor of Strange Horizons. Her poems have appeared in inkscrawl, Dreams & Nightmares, Polu Texni, On Spec, The Deadlands, and Liminality, but she is better known for her essays in The Toast and Atlas Obscura, and a microfiction project called postorbital. As a filmmaker, she has been a guest artist of the National Gallery (London), the Institute of Contemporary Art (Boston), and the Dallas Museum of Art. You can find her fairly complete bibliography here.
Sara Norja dreams in two languages. Her poetry has appeared in publications such as Goblin Fruit, Strange Horizons, inkscraw, and Interfictions. Her short fiction has appeared in various publications and is forthcoming in Flash Fiction Online and An Alphabet of Embers (ed. Rose Lemberg). She is @suchwanderings on Twitter.
Current Issue
29 May 2023

We are touched and encouraged to see an overwhelming response from writers from the Sino diaspora as well as BIPOC creators in various parts of the world. And such diverse and daring takes of wuxia and xianxia, from contemporary to the far reaches of space!
By: L Chan
The air was redolent with machine oil; rich and unctuous, and synthesised alcohol, sharper than a knife on the tongue.
“Leaping Crane don’t want me to tell you this,” Poppy continued, “but I’m the most dangerous thing in the West. We’ll get you to your brother safe before you know it.”
Many eons ago, when the first dawn broke over the newborn mortal world, the children of the Heavenly Realm assembled at the Golden Sky Palace.
Winter storm: lightning flashes old ghosts on my blade.
transplanted from your temple and missing the persimmons in bloom
immigrant daughters dodge sharp barbs thrown in ambush 十面埋伏 from all directions
Many trans and marginalised people in our world can do the exact same things that everyone else has done to overcome challenges and find happiness, only for others to come in and do what they want as Ren Woxing did, and probably, when asked why, they would simply say Xiang Wentian: to ask the heavens. And perhaps we the readers, who are told this story from Linghu Chong’s point of view, should do more to question the actions of people before blindly following along to cause harm.
Before the Occupation, righteousness might have meant taking overt stands against the distant invaders of their ancestral homelands through donating money, labour, or expertise to Chinese wartime efforts. Yet during the Occupation, such behaviour would get one killed or suspected of treason; one might find it better to remain discreet and fade into the background, or leave for safer shores. Could one uphold justice and righteousness quietly, subtly, and effectively within such a world of harshness and deprivation?
Issue 22 May 2023
Issue 15 May 2023
Issue 8 May 2023
Issue 1 May 2023
Issue 24 Apr 2023
Issue 17 Apr 2023
Issue 10 Apr 2023
Issue 3 Apr 2023
Issue 27 Mar 2023
Issue 20 Mar 2023
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