Like any good great terrible wyrm, Palimrya loves you, which is why she spent seven drops of her precious twiceblood to grant you each an arrow-melty mantle, a full belly, and a wet green biome to bleed in. Find her stories, poems, and roleplaying games on your bathroom floor, and feed her furnace @palimrya on twitter.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
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