Size / / /

He'd come to water them.
They were ashamed of him --
his weak white hands, his stoop.
They pulled him down.
He fought back, weeping: "I have brought you
water, defended you from aphids."

He's hiding in the house now, bloody.
They wait for rain.

This is how roses are:
they dream of strength.
There is no mercy in them.

Roses want to eat the ivy,
fill the oaks with blood.
They want kisses and hatred,
chocolate and vengeance;

like teenage girls who dream of suicide,
of anything that would end the world,
instead of having to be beautiful tomorrow.

 

Copyright © 2001 Benjamin Rosenbaum

Reader Comments


Benjamin Rosenbaum lives in Basel, Switzerland, with his wife and baby daughter, where in addition to scribbling fiction and poetry, he programs in Java (well) and plays rugby (badly). A story of his appeared in the January 31 issue of Writer Online, and another will appear in the July issue of Fantasy & Science Fiction. This is his first published poem. Visit his Web site to learn more about his writing.



Benjamin Rosenbaum recently became Swiss and thus like all Swiss people is on the board of a club. His children, Aviva and Noah, insist on logic puzzles, childrens' suffrage, and endless rehearsals of RENT. His stories have been translated into 24 languages, nominated for stuff, and collected.
Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
Friday: Adam and Eve in Paradise by José Maria de Eça de Queirós, translated by Margaret Jull Costa 
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