Size / / /

The majestic blooming

of the century plant

reveals petals of pure yellow

and stained cream,

distinct pistils and stamens.

I will love you, she said,

like Freud loved the id

in its trammeled fury.

The jaws of my brain,

adrift in opaque bestiality,

question the integrity

of a Pythagorean

reclining nude.

The heel stamp of my pen

assassinates the art

of nuclear mystics.

I will love you, she said,

like Darwin loved evolution.

Things change.

In an algid moment

the final consequences

of the abominable resonance

of a soft and hairy

architecture are revealed.

Diacritical exclamations!

The ravishing comprehension

of cannibal imperialism

by a paranoid critic.

I will eat you like the peach

I eat every Sunday, she said,

in the sky black morn.

Having teased

the sensitive mimosa

in the circular greenhouse

late that afternoon,

afterward,

he would drink peppermint tea

with the ghost of morning.




Bruce Boston is the author of forty-seven books and chapbooks, including the novels The Guardener's Tale and Stained Glass Rain. His writing has received the Bram Stoker Award, a Pushcart Prize, the Asimov's Readers Award, and the Grand Master Award of the Science Fiction Poetry Association. You can read more about him at www.bruceboston.com and see some of his previous work in our archives.
Current Issue
30 Jan 2023

In January 2022, the reviews department at Strange Horizons, led at the time by Maureen Kincaid Speller, published our first special issue with a focus on SF criticism. We were incredibly proud of this issue, and heartened by how many people seemed to feel, with us, that criticism of the kind we publish was important; that it was creative, transformative, worthwhile. We’d been editing the reviews section for a few years at this point, and the process of putting together this special, and the reception it got, felt like a kind of renewal—a reminder of why we cared so much.
It is probably impossible to understand how transformative all of this could be unless you have actually been on the receiving end.
Some of our reviewers offer recollections of Maureen Kincaid Speller.
Criticism was equally an extension of Maureen’s generosity. She not only made space for the text, listening and responding to its own otherness, but she also made space for her readers. Each review was an invitation, a gift to inquire further, to think more deeply and more sensitively about what it is we do when we read.
When I first told Maureen Kincaid Speller that A Closed and Common Orbit was among my favourite current works of science fiction she did not agree with me. Five years later, I'm trying to work out how I came to that perspective myself.
Cloud Atlas can be expressed as ABC[P]YZY[P]CBA. The Actual Star , however, would be depicted as A[P]ZA[P]ZA[P]Z (and so on).
In the vast traditions that inspire SF worldbuilding, what will be reclaimed and reinvented, and what will be discarded? How do narratives on the periphery speak to and interact with each other in their local contexts, rather than in opposition to the dominant structures of white Western hegemonic culture? What dynamics and possibilities are revealed in the repositioning of these narratives?
a ghostly airship / sorting and discarding to a pattern that isn’t available to those who are part of it / now attempting to deal with the utterly unknowable
Most likely you’d have questioned the premise, / done it well and kindly then moved on
In this special episode of Critical Friends, the Strange Horizons SFF criticism podcast, reviews editors Aisha Subramanian and Dan Hartland introduce audio from a 2018 recording for Jonah Sutton-Morse’s podcast Cabbages and Kings which included Maureen Kincaid Speller discussing with Aisha and Jonah three books: Everfair by Nisi Shawl, Temporary People by Deepak Unnikrishnan, and The Winged Histories by Sofia Samatar.
Issue 23 Jan 2023
Issue 16 Jan 2023
Issue 9 Jan 2023
Strange Horizons
2 Jan 2023
Welcome, fellow walkers of the jianghu.
Issue 2 Jan 2023
Strange Horizons
Issue 19 Dec 2022
Issue 12 Dec 2022
Issue 5 Dec 2022
Issue 28 Nov 2022
By: RiverFlow
Translated by: Emily Jin
Issue 21 Nov 2022
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