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At long last,
we have solved
the mind-body problem.

My child has a new face
Something came out of her
along with the sputtering stench
of an expiring form
pulled from a car in a
weed-filled lake.
It transformed before my eyes,
distilled into hers.

I am selfish,
all philosophers are.
Her body matches mine.

On days she speaks to me,
we sit in the sun looking at
old photos; other days, she is haunted
by grime and green water and
the remnants of a universal conflict.
The engineers tell me this is normal.

How many times can we be reborn?
How many humanities till we
plunge ourselves into darkness,
fed up, pelting our consciousness
into the graves of time?

I made the decision for her.
She takes her first steps in
a hospital overlooking a silver ocean,
is fascinated by how her
new hair defies gravity,
the flatness of her feet
I fear all of her is not here.

I think she comes to me in dreams
not angry, but asking why
I could not let her go,
why her mortality was not enough
if I know what forever means



Terese Mason Pierre is a Toronto-based writer whose work has appeared in Fantasy, The Walrus, FIYAH, and elsewhere. Her work has been nominated for the Elgin Award, the bpNichol Chapbook Award, the Pushcart Prize, and others. She is the co-editor in chief of Augur Magazine and the author of chapbooks “Surface Area” and “Manifest.” Visit her website at www.teresemasonpierre.com.
Current Issue
28 Nov 2022

The comb is kept in a small case and a magnifying glass is there for you
Know that the end / is something that you cannot escape here.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
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By: RiverFlow
Translated by: Emily Jin
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
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