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The house is old, the wood that frames
it tired of the burden of holding

up the walls. The roof took flight
long ago, a storm it thinks,

or perhaps the shingles
just decided, en masse, to fly

like birds, to warmer climes,
the great migration of the material

abandoning the nest like fledgling
chicks. Between the floorboards seedlings rise,

pushing it aside to reach the light, which is the way
of things, it supposes. The old house shudders,

vines and creepers circle the crumbling frame, thin
arms lithe and loving, a comfort.

It's not so bad it thinks,
to be abandoned by the people

who cut down its trees, drove nails
into its limbs, sheltered themselves

within its body. Now finally it is
left to crumble, to become soil

again, leaving manmade dreams behind
for the natural, wild world, for dust.



Lynette Mejía writes science fiction, fantasy, and horror prose and poetry from the middle of a deep, dark forest in the wilds of southern Louisiana. Her work has appeared in Daily Science Fiction, Nature: Futures, and others, and has been nominated for the Pushcart Prize, the Rhysling Award, and the Million Writers Award. You can find her online at www.lynettemejia.com.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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