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Do not take a stone from my shores;
don’t you think
I can feel my own bones
no matter where they go?

I’ll send my invisible sinews
after you,
threaded on the wind,
rise up out of the stone
you took as a mere souvenir
and teach you
the meaning of regret.

Bring my stones, my bones,
back to me;
leave them in the ritual lines
of the mazes your ancestors wrought,
the tattoo, the silent runes
that bind me here—

it’s your best chance
as you sail back away over the waves
to whatever useless, silent land
you came from—
you’d best know
that I’m alive,
that I’m the witch herself,
not some feeble, fleeting human,
but the land, the earth.

You’re adorable in your confusion,
your fear.
Come back.
I could just eat you up.



Deborah L. Davitt was raised in Nevada, but currently lives in Houston, Texas, with her husband and son. Her prize-winning poetry has appeared in over fifty journals. For more about her work, including her poetry collections, The Gates of Never and Bounded by Eternity, please see www.edda-earth.com.
Current Issue
27 Mar 2023

close calls when / I’m with Thee / dressed to the nines
they took to their heels but the bird was faster.
In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Reviews Editors Aisha Subramanian and Dan Hartland talk to novelist, reviewer, and Strange Horizons’ Co-ordinating Editor, Gautam Bhatia, about how reviewing and criticism of all kinds align—and do not—with fiction-writing and the genre more widely.
If the future is here, but unevenly distributed, then so is the past.
He claims that Redlow used to be a swamp and he has now brought them into the future before the future. Yes he said that.
My previous Short Fiction Treasures column was all about science fiction, so it’s only fair that the theme this time around is fantasy.
I’ve come to think of trans-inclusive worldbuilding as an activist project in itself, or at least analogous to the work of activists. When we imagine other worlds, we have to observe what rules we are creating to govern the characters, institutions, and internal logic in our stories. This means looking at gender from the top down, as a regulatory system, and from the bottom up, at the people on the margins whose bodies and lives stand in some kind of inherent opposition to the system itself.
Friday: August Kitko and the Mechas from Space by Alex White 
Issue 20 Mar 2023
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Issue 23 Jan 2023
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