Size / / /

What threat

could these scaly oarsmen ever pose?

She dodged Miro's famished halo

of animalcules, Picasso's rutting minotaur,

Tanguy's liquid, probing pebbles.

Deflected Dali's softening emissions.

Sidestepped Duchamp's fractured descent.

Her Cerberus grew far more heads

than most. She kept the one whose kiss

she chose to return, and killed

any others who rashly fought off sleep.

Compared to them, this boatful of lizards,

this hooded ferryman with forked tongue

has no hope in hell of harming her.

She looks back

at the red-gowned women,

the graceful petals of their heads,

pale orchid blooms, nodding

with the rhythm of the wind.

Will they warn her

if her next step goes awry?

She'd first glimpsed them in the English gardens

where she frolicked as a girl, but

they never spoke, offered no chat,

unlike the slow, thoughtful statues

or the stained glass peacocks who

would happily shriek her ears off—

Don't let them send you away, they pleaded,

Come back to us, come back to us.

How she tried, rebelled against her schoolmasters

whether at work or play, kept her attention

focused in other space, the space she meant to see.

How tight the sheets they wrapped her in

to trap her, drag her silent from the hedgerow maze.

No matter how shallow her footprints,

the thunderous black beast sniffed out her path,

the stone of her father's face crowning its shoulders,

battlements shielding his ears, eyes empty

as her hopes of escape. She would be a gift

to the King, a dainty mosaic mortared

in his courtyard, a bauble of fancied flesh.

She attempted epic quests, all the time

the tether-thread coiled around her wrist,

drawing her back to the drawing room.

Until the orchid maids nodded.

The tunnel to their altar opened in his chest,

this silver-haired, sly-smiling German,

rimmed with light, shaded with night,

the passage opening and opening into his

body and beyond, her thread redirected inside,

a guide to navigate a new labyrinth—

she left a chortling hyena in her ballroom clothes

and stole off to Paris, walked naked

past the all-consuming artists' eyes

and told that dirty Spaniard Miro

to fetch his own damn cigarettes.

Her Max, already wed; but he could not

and would not deny her.

And the demons

climbed from blood-soaked soil,

too many to resist, and pried him away;

laughing through dog fangs,

kicking with jackboots,

snarling with panther muzzles,

armored with Panzer hide,

running her down as she fled,

carrying her into the Spanish asylum

where they pinned her down and

racked her with volts, poisoned her brain,

ground against her bucking spirit,

quested to invade the maze, hunting

for the gate she desperately held shut.

Her father sent a rescuer by submarine

but as the taxi rushed the Lisbon streets

a voice heard from the wrong end

of a trumpet whispered new instructions

and she demanded instead the embassy

to Mexico—what chance Picasso's

startled friend would greet her there?

What chance, in the distance past his shoulder,

she'd see pale orchids nod their stately heads?

The Nazis could not reach her anymore,

nor the nouveau riche or the House of Lords.

The hero twins called on her, the hunter

and the jaguar, the grinning monkeys

and the serpent who gifted her

with feathers of every color,

fierce Frida and her monster Diego.

If she ever grew weary from their company,

she could always steal into the hedgerows,

her private garden where mannered harpies

poured tea and priestesses bowed their horns,

attendants in crow masks bathed exquisite vultures

and butterfly-winged sphinxes guarded their eggs

as Tarot trumps walked arm in arm,

witchy trinities mixed spells in flower cups

and faces peered from canopies,

playful ghosts snagged in the trees.

Asked where she birthed the wonders,

she snapped, You overthink. It's about

seeing, about visions into other space.

Both lands loved her in return.

For decades she dreamed, long since freed

of any limits.

Stone touched by her fingertips took flight.

* * *

In the maze, dark waters rise.

The orchid maids watch.

The ferrymen wait.

She snorts at them and turns

the other way.

She walks across the forest, looming

into the sky. The wheatstalks

of her hair channel the sun.

She unfastens her robes, exposes

hieroglyphs etched on her skin.

Birds spill from beneath her breasts,

shade the countryside with outstretched wings.




Mike Allen is president of the Science Fiction Poetry Association and editor of the speculative poetry journal Mythic Delirium. With Roger Dutcher, Mike is also editor of The Alchemy of Stars: Rhysling Award Winners Showcase, which for the first time collects the Rhysling Award-winning poems from 1978 to 2004 in one volume. His newest poetry collection, Disturbing Muses, is out from Prime Books, with a second collection, Strange Wisdoms of the Dead, soon to follow. Mike's poems can also be found in Nebula Awards Showcase 2005, both editions of The 2005 Rhysling Anthology, and the Strange Horizons archives.
Current Issue
30 Jan 2023

In January 2022, the reviews department at Strange Horizons, led at the time by Maureen Kincaid Speller, published our first special issue with a focus on SF criticism. We were incredibly proud of this issue, and heartened by how many people seemed to feel, with us, that criticism of the kind we publish was important; that it was creative, transformative, worthwhile. We’d been editing the reviews section for a few years at this point, and the process of putting together this special, and the reception it got, felt like a kind of renewal—a reminder of why we cared so much.
It is probably impossible to understand how transformative all of this could be unless you have actually been on the receiving end.
Some of our reviewers offer recollections of Maureen Kincaid Speller.
When I first told Maureen Kincaid Speller that A Closed and Common Orbit was among my favourite current works of science fiction she did not agree with me. Five years later, I'm trying to work out how I came to that perspective myself.
Cloud Atlas can be expressed as ABC[P]YZY[P]CBA. The Actual Star , however, would be depicted as A[P]ZA[P]ZA[P]Z (and so on).
a ghostly airship / sorting and discarding to a pattern that isn’t available to those who are part of it / now attempting to deal with the utterly unknowable
Most likely you’d have questioned the premise, / done it well and kindly then moved on
In this special episode of Critical Friends, the Strange Horizons SFF criticism podcast, reviews editors Aisha Subramanian and Dan Hartland introduce audio from a 2018 recording for Jonah Sutton-Morse’s podcast Cabbages and Kings which included Maureen Kincaid Speller discussing with Aisha and Jonah three books: Everfair by Nisi Shawl, Temporary People by Deepak Unnikrishnan, and The Winged Histories by Sofia Samatar.
Criticism was equally an extension of Maureen’s generosity. She not only made space for the text, listening and responding to its own otherness, but she also made space for her readers. Each review was an invitation, a gift to inquire further, to think more deeply and more sensitively about what it is we do when we read.
In the vast traditions that inspire SF worldbuilding, what will be reclaimed and reinvented, and what will be discarded? How do narratives on the periphery speak to and interact with each other in their local contexts, rather than in opposition to the dominant structures of white Western hegemonic culture? What dynamics and possibilities are revealed in the repositioning of these narratives?
Tuesday: Genre Fiction: The Roaring Years by Peter Nicholls 
Wednesday: HellSans by Ever Dundas 
Thursday: Everything for Everyone: An Oral History of the New York Commune, 2052-2072 by M. E. O'Brien and Eman Abdelhadi 
Friday: House of the Dragon Season One 
Issue 23 Jan 2023
Issue 16 Jan 2023
Issue 9 Jan 2023
Strange Horizons
2 Jan 2023
Welcome, fellow walkers of the jianghu.
Issue 2 Jan 2023
Strange Horizons
Issue 19 Dec 2022
Issue 12 Dec 2022
Issue 5 Dec 2022
Issue 28 Nov 2022
By: RiverFlow
Translated by: Emily Jin
Issue 21 Nov 2022
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