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they come with their whole selves blown open,
staggering from the sea on new-cut legs, skin

like a peeled grape, raw and weeping. hands
already outstretched, itching to touch: trash

cans and beach chairs, tire treads, the skillet
heat of black asphalt. everything wild,

everything new, miracle of air and yawning
horizon. in my ugliest heart i hate them,

their kelp hair and sharp little teeth, their love
for this sand and its every jumping flea.

poor frail fish-girls, in need of some kind stranger
to wrap towels around their nakedness, feed them

on fruit and freshwater and slice the webbing
between their fingers. it won’t be me. i learned

alone, coughed up on the shore to teach my own
self about rent and shoes and loading a bus pass,

about sales tax and gasoline, about keeping
my head down and guarding my smiles. like a child

i chose this world, its cities and their bird-shit
sidewalks, its concrete highways with unchanging

views. at night i dangle my feet from the fire escape
to watch streetlights flash against the jewels

of my toenails, my ten great victories,
hard fought, dearly won. i do not think about

the ocean. overhead the moon hangs in a thick
dark void, hauling a tide i can no longer feel.



Maria Zoccola is a queer Southern writer with deep roots in the Mississippi Delta. Read her in Fantasy Magazine, DreamForge, The Massachusetts Review, Colorado Review, Spillway, Fence, and elsewhere.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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