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[                   ] called me the other day, said he would
send me the money i needed / (                   ) said i should

be relieved: unafraid of the manipulation of it all. my dog
sleeps in the sun every day & i dream of lemon trees

from a different continent, haha, diaspora poetry, am i right,
                   anyway, I thought of _______ at the picket today, reading

Olufemi in the rain as another Indian girl held the mic up for me
& asked me to be careful of her book (her favourite): another

diaspora poem, haha, am i right, anyway I texted my psychiatrist
today — he has a job under capitalism just like me 🙂 he gives

me medicine & advice i ignore & misplaced hope in the system.
bell hooks says she came to theory because she was hurting &

i would like to know where i can go: please
hold this umbrella for me while i read this poem in the rain,

& we can go everywhere after. the academy is coopting the term
decolonisation — the university has a stake in empire — neoliberal

feminism is incomplete and insidious — reform can be positive, I want
to scream that [                   ] called me the other day & said

he would send me the money i need!!!!!!!! they are quoting Darwish
at the picket & i am finally breathing again, i wish you were here

to hold my hand & teach me abolitionđź’–we are gifted this planet
with all of its lemon trees & we are wasting it, not holding

each other’s hands while we’re here, look, sorry for
diaspora poem-ing but have you seen the news? have you

seen the hashtags? do you still watch TV? [                   ] called me
the other day, made a joke about the news, said

how awful, isn’t it all, what do we do, where do we go, i am holding
your hand through the static again, at the picket i thought of

[                   ] calling me, evil as always, nestled into the structures of
manipulation in the abusive [redacted] industrial complex, [                   ]

makes jokes sometimes, makes me sick, makes me tired, makes me
tell the stories i hate. i like the one of how my newborn

body went unheld by [                   ] until i was 6 months: the same time
that [                   ] spent not smoking. picked me up with the nicotine

addiction, haha, diaspora poetry, am i right. [                   ] will never
read this, i am thinking about the term “collective fullness” & how

everything i do is half-empty, all chemically-incoherent in my brain, i’ll say it,
                   fuck the world that makes us live like this, i will see you

at the picket
& the next one
& the next world.
                   & at all the parties we throw in this one



Umang Kalra is an Indian writer and artist living in Belfast, Ireland. She is a two-time Best of the Net Anthology finalist and a Pushcart nominee. She is the founding Editor in Chief of Violet Indigo Blue, Etc., and the author of fig (2022) and MINIMALIST SWEETHEART (-algia, 2021). Her website is umkalra.persona.co, she tweets at @umkalra, and you can buy fig and other stuff from her at etsy.com/uk/shop/umkalra.
Current Issue
30 Jan 2023

In January 2022, the reviews department at Strange Horizons, led at the time by Maureen Kincaid Speller, published our first special issue with a focus on SF criticism. We were incredibly proud of this issue, and heartened by how many people seemed to feel, with us, that criticism of the kind we publish was important; that it was creative, transformative, worthwhile. We’d been editing the reviews section for a few years at this point, and the process of putting together this special, and the reception it got, felt like a kind of renewal—a reminder of why we cared so much.
It is probably impossible to understand how transformative all of this could be unless you have actually been on the receiving end.
Some of our reviewers offer recollections of Maureen Kincaid Speller.
Criticism was equally an extension of Maureen’s generosity. She not only made space for the text, listening and responding to its own otherness, but she also made space for her readers. Each review was an invitation, a gift to inquire further, to think more deeply and more sensitively about what it is we do when we read.
When I first told Maureen Kincaid Speller that A Closed and Common Orbit was among my favourite current works of science fiction she did not agree with me. Five years later, I'm trying to work out how I came to that perspective myself.
Cloud Atlas can be expressed as ABC[P]YZY[P]CBA. The Actual Star , however, would be depicted as A[P]ZA[P]ZA[P]Z (and so on).
In the vast traditions that inspire SF worldbuilding, what will be reclaimed and reinvented, and what will be discarded? How do narratives on the periphery speak to and interact with each other in their local contexts, rather than in opposition to the dominant structures of white Western hegemonic culture? What dynamics and possibilities are revealed in the repositioning of these narratives?
a ghostly airship / sorting and discarding to a pattern that isn’t available to those who are part of it / now attempting to deal with the utterly unknowable
Most likely you’d have questioned the premise, / done it well and kindly then moved on
In this special episode of Critical Friends, the Strange Horizons SFF criticism podcast, reviews editors Aisha Subramanian and Dan Hartland introduce audio from a 2018 recording for Jonah Sutton-Morse’s podcast Cabbages and Kings which included Maureen Kincaid Speller discussing with Aisha and Jonah three books: Everfair by Nisi Shawl, Temporary People by Deepak Unnikrishnan, and The Winged Histories by Sofia Samatar.
Friday: House of the Dragon Season One 
Issue 23 Jan 2023
Issue 16 Jan 2023
Issue 9 Jan 2023
Strange Horizons
2 Jan 2023
Welcome, fellow walkers of the jianghu.
Issue 2 Jan 2023
Strange Horizons
Issue 19 Dec 2022
Issue 12 Dec 2022
Issue 5 Dec 2022
Issue 28 Nov 2022
By: RiverFlow
Translated by: Emily Jin
Issue 21 Nov 2022
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