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for my best cousin Ruth Wejksnora

ius pro concubitu nostro tibi cardinis esto:

hoc pretium positae virginitatis habe.

—Ovid, Fasti 6.127—128

She carries no keys. She picks no locks.

The poet wronged her in his homesick almanac—

the words he put down in ink as freezing black

as the ice-scummed shore, the rainy lashing night

hunched on his shoulders like the distance of home,

a rueful laughter in the shutters' sea-wind creak.

Who would deal in straight lines with a god

of double faces? Before and behind she caught him

among the whitethorn, a counterfeiter of ways

flowering like snow in the summer she leads in,

what is closed to open, what is open to close,

the balance of the year on her outspread palms.

For you she does not hold the door open,

beckoning the road the sun lays down in light.

That is your handiwork: she turns to watch you pass.




Sonya Taaffe reads dead languages and tells living stories. Her short fiction and poetry have been collected most recently in As the Tide Came Flowing In (Nekyia Press) and previously in Singing Innocence and Experience, Postcards from the Province of HyphensA Mayse-Bikhl, Ghost Signs, and the Lambda-nominated Forget the Sleepless Shores. She lives with one of her husbands and both of her cats in Somerville, Massachusetts, where she writes about film for Patreon and remains proud of naming a Kuiper Belt object.
Current Issue
14 Jul 2025

This exhibition presents pieces from our permanent collection that are rarely displayed together, in order to illuminate the life of one of our most celebrated early rulers, Nizararuddin Zafer Abu Hassan Mohammed, better known as Prince Nizar.
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