Size / / /

We miss our limbs, the splay
of arms, the limbo legs, the
intimate positioning of apertures
for sex; all must touch
to satisfaction, even toes.

We miss the inflections from
our tongues and vocal chords,
and where we can now convey
our words much more succinctly,
there is no way to cluck

or kiss a minor statement
for a proper irony; we miss
the sibilance that comes from
talking faster than one's own thoughts . . .
for out here we never run faster

than the speed of thought, it's physically
impossible, you know, yet we would
hiss and hiss, as gulls might whisper . . .
but most of what we miss is you,
for none of us would trade places,

and this, just this, is a fine thing
for you to know . . .

our waiting for your death.

 

Copyright © 2000 by Ward Kelley

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Ward Kelley has seen more than 700 of his poems appear in journals world wide since he began publishing in 1996. A Pushcart Prize nominee, Kelley's publication credits include such journals as: ACM Another Chicago Magazine, Rattle, Sunstone, Spillway, Porcupine Literary Magazine, Pif, 2River View, Oblique, Offcourse, Potpourri and Skylark. He has been honored as featured poet for Seeker Magazine, Physik Garden, Poetry Life & Times, and Pyrowords.



Bio to come.
Current Issue
22 Jul 2024

By: Mónika Rusvai
Translated by: Vivien Urban
Jadwiga is the city. Her body dissolves in the walls, her consciousness seeps into the cracks, her memory merges with the memories of buildings.
Jadwiga a város. Teste felszívódik a falakban, tudata behálózza a repedéseket, emlékezete összekeveredik az épületek emlékezetével.
Aqui jaz a rainha, gigante e imóvel, cada um de seus seis braços caídos e abertos, curvados, tomados de leves espasmos, como se esquecesse de que não estava mais viva.
By: Sourav Roy
Translated by: Carol D'Souza
I said sky/ and with a stainless-steel plate covered/ the rotis going stale 
मैंने कहा आकाश/ और स्टेनलेस स्टील की थाली से ढक दिया/ बासी पड़ रही रोटियों को
By: H. Pueyo
Translated by: H. Pueyo
Here lies the queen, giant and still, each of her six arms sprawled, open, curved, twitching like she forgot she no longer breathed.
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