Size / / /

The city's shades are never quite silent
the streets are haunted.
We are land-thieves of the dead—
and of the living, their accusations
stifled by artillery-fire and long assimilation.
What we take was ours always.
What we erase was never there.

We map the limits of our world in bruises
hollow places, absences and scars
wire cages, barred gates, and graves
and can't keep out the ghosts we make
can't make them speak our lines.

Borders are uncomfortable things
and one runs through me
the memory of rifle-fire on railway lines
dead men buried in the hills
shrapnel buried in a cousin's breast
flesh and blood and blood and soil:
Yesterday's war is
never quite done.

The city's shades are never silent
though you pull down the blinds
though you bar all the doors
paint new names on street-signs
and scrub the gutters clean.
The streets are haunted,
still.




Liz Bourke is a cranky queer person who reads books. She holds a Ph.D in Classics from Trinity College, Dublin. Her first book, Sleeping With Monsters, a collection of reviews and criticism, is published by Aqueduct Press. Find her at her blog, where she's been known to talk about even more books thanks to her Patreon supporters. Or find her at her Twitter. She supports the work of the Irish Refugee Council and the Abortion Rights Campaign.
Current Issue
28 Nov 2022

The comb is kept in a small case and a magnifying glass is there for you
Know that the end / is something that you cannot escape here.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
The new idea is to have the sixth sensors oversee the end of humanity.
By: RiverFlow
Translated by: Emily Jin
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
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