Size / / /

I stand in a cell for suffrage.
I sit, I succumb to sleep.

I am sensible of grasses,
the structure of grasses,
how grasses affect bison,
and therefore, us.

My stomach clamps down
to the size of an egg.
I’m beyond hunger now.

I think about grasses,
study grasses from this cell,
stuffed with suffering for suffrage,
my sisters sighing like grasses.

I imagine someday sorting grasses
in the fields, thinking of this cell
only sometimes, only sporadically,
shakily. The grasses stop me
from becoming despondent.
They save me from despair.



Jessy Randall's poems, comics, and other things have appeared in Strange Horizons, Asimov's, and McSweeney's. Her most recent book is How to Tell If You Are Human: Diagram Poems (Pleiades Press, 2018). She is a librarian at Colorado College, and her website is http://bit.ly/JessyRandall.
Current Issue
28 Nov 2022

The comb is kept in a small case and a magnifying glass is there for you
Know that the end / is something that you cannot escape here.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
The new idea is to have the sixth sensors oversee the end of humanity.
By: RiverFlow
Translated by: Emily Jin
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
Friday: The Final Strife by Saara El-Arifi 
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