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The jawless skull has eaten the apples,
not the pears. Life is stiller this way.
St. Francis cradles the skull upside-
down in his palms. He drinks blood,
not wine, from the skull's open stem,
thinking it might have been Christ's
or Apollo's. A rope is knotted where
a neck used to breathe, dispossessing
the skull marrow. His cloak's shining
sooty-blue in cave light. Somewhere
else, wherever the jaw sought asylum,
the skull is clapping its skull hands
until they bleed: echoing cave light.
It's a skull, and it don't give a damn.




Richard Prins received his MFA degree in poetry from New York University. Now he divides his time between managing a building in Brooklyn and consulting for an entertainment company in Dar es Salaam. His work appears in Los Angeles Review, Painted Bride Quarterly, Rattle, Redivider, and THRUSH Poetry Journal.
Current Issue
22 Jul 2024

By: Mónika Rusvai
Translated by: Vivien Urban
Jadwiga is the city. Her body dissolves in the walls, her consciousness seeps into the cracks, her memory merges with the memories of buildings.
Jadwiga a város. Teste felszívódik a falakban, tudata behálózza a repedéseket, emlékezete összekeveredik az épületek emlékezetével.
Aqui jaz a rainha, gigante e imóvel, cada um de seus seis braços caídos e abertos, curvados, tomados de leves espasmos, como se esquecesse de que não estava mais viva.
By: Sourav Roy
Translated by: Carol D'Souza
I said sky/ and with a stainless-steel plate covered/ the rotis going stale 
मैंने कहा आकाश/ और स्टेनलेस स्टील की थाली से ढक दिया/ बासी पड़ रही रोटियों को
By: H. Pueyo
Translated by: H. Pueyo
Here lies the queen, giant and still, each of her six arms sprawled, open, curved, twitching like she forgot she no longer breathed.
Issue 15 Jul 2024
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