Size / / /

Seeking light,

She struggles

With great effort from the water.

Seeking warmth,

She scrabbles forward,

Searching for dry sand.

Her claws leave deep, wet scores

In the cold, black muck at water's edge,

But don't catch well

In the softer stuff

Just a few lengths farther inland.

Pale grey, this sand

Is polished to silken

Fineness by the wear of ages.

It holds the heat she's searching for,

Even now, long past sunset.

One of the last of her kind,

She does not know it;

She'd strive as strongly

If she shouldered through a crowd

Of a hundred of her sisters.

Guided by the pull of instinct

She knows only temperature;

She seeks the perfect weight and warmth

Of sand to cradle her last egg.

She finds the place just as the moon's

Face lifts over the sea's horizon.

A perfect hollow in gull-grey sand

Waits as if for her alone.

She nestles in it, closes her eyes,

Waits as the night breeze chills her back,

Her own scales quicksilver in the light

Of a spring full moon, a light to spawn by.

And when the egg is laid she turns away.

She kicks a drift of soft, fine sand

Into the hollow with careful purpose.

The moon lights a path for her across the beach,

But she knows the way back to the sea,

Just as the hatchling will know his way

Back to Atlantis when the sun spills gold

Over his first morning.




Robin M. Mayhall writes business articles and promotional copy by day and speculative fiction and poetry in her spare time. She lives in Baton Rouge, La., with four cats who indulge her hobby with only occasional attempts to sit on her laptop's keyboard. This is her first poetry sale. You can reach her by email at robin@hieran.com.
Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
Friday: Adam and Eve in Paradise by José Maria de Eça de Queirós, translated by Margaret Jull Costa 
Issue 17 Mar 2025
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Podcast read by: Emmie Christie
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Issue 24 Feb 2025
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By: Alexandra Munck
Podcast read by: Claire McNerney
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Strange Horizons
By: Michelle Kulwicki
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Issue 13 Jan 2025
Issue 6 Jan 2025
By: Samantha Murray
Podcast read by: Jenna Hanchey
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