Size / / /

Sleep in threadbare night, gray and steady
as a float of fog. God or what I call it beating
heavy in my gut. Dreaming as gray recursion,
as god weeping fog. The Angel Who is All Eyes
and the Angel Who is All Wings still know
how to speak to each other. It’s easy: they sing.

They sing! They sing!

Can’t you hear them singing? Their voices
sound just like the moon and her syrupy light.
Fog is made of dead souls hanging in the air.
It is. Do not speak to me of water vapor. Stop
telling me how to see the world. Queen of
queens, of long dark hair and blasphemy.
Of forcing the sword back into the stone.
Let’s fight the stone. Hack and slash until
it bleeds dense lunar silence. The Angel Who
is All Hair, combing herself. The soul which
grows and seethes. Flowers unblooming,
petals folding back together. They hide their
faces, roll down their stems and disappear
back into the dirt. November, the Angel
Who is All Dark Blue Evening. November
the forest floor becoming and the pale ghosts
wandering in their bedclothes and the yellow
birch trees weeping leaves as the Angel Who
is All Tears falls to earth from a storm cloud:
we call her November because that is her name.



Jaye Nasir is a writer from Portland, Oregon whose work blurs, or outright ignores, the line between the real and the unreal. Her poems, essays, and fiction have appeared in many small publications, both local and international, as well as in art galleries and live readings. Find more from her at https://jayenasir.weebly.com/.
Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
Friday: Adam and Eve in Paradise by José Maria de Eça de Queirós, translated by Margaret Jull Costa 
Issue 17 Mar 2025
Issue 10 Mar 2025
By: Holli Mintzer
Podcast read by: Emmie Christie
Issue 3 Mar 2025
Issue 24 Feb 2025
Issue 17 Feb 2025
Issue 10 Feb 2025
By: Alexandra Munck
Podcast read by: Claire McNerney
Issue 27 Jan 2025
By: River
Issue 20 Jan 2025
Strange Horizons
By: Michelle Kulwicki
Podcast read by: Emmie Christie
Issue 13 Jan 2025
Issue 6 Jan 2025
By: Samantha Murray
Podcast read by: Jenna Hanchey
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