Size / / /

I said I would wait, & I meant it:

crossed over

the morning your ship launched,

chilled blood river

slow through the cave of my veins as a whisper

lost on the ferryman's lips.

You sailed to the stars out there,

to their wars

& Helens in harlot bronze.

I wandered the asphodel stars that wake

in the fields of heroes & gods.

Unweaving my dreams each century,

I praised you in the present tense

to all who sought me,

a second obol

secret beneath my tongue.

You said you would come, & you did:

bright dust

of a hundred worlds

on your feet & the scent

of nameless Calypsos like victors' laurels

immortal in your hair.

My eyes still kept that morning,

their history

brief & blue & quiet.

Yours echoed with an epic blindness

too large to hold one heart.

Tonight I will swallow half my fare

& answer the asphodel glance of one

whose face is lit

with the flames of cities,

whose arms are warmer than yours.




Ann K. Schwader lives, writes, and volunteers at her local branch library in Westminster, CO. Her most recent poetry collection is Twisted in Dream (Hippocampus Press 2011). Her dark SF poetry collection Wild Hunt of the Stars (Sam's Dot Publishing, 2010) was a Bram Stoker Award nominee. She is a member of SFWA, HWA, and SFPA. Her LiveJournal is Yaddith Times.
Current Issue
24 Mar 2025

The winner is the one with the most living wasps
Every insect was a chalk outline of agony / defined, evaluated, ranked / by how much it hurt
In this episode of the Strange Horizons Fiction podcast, Michael Ireland presents Reprise by Samantha Lane Murphy, read by Emmie Christie. Subscribe to the Strange Horizons podcast: Spotify
Black speculative poetry works this way too. It’s text that is flexible and immediate. It’s a safe space to explore Afrocentric text rooted in story, song, dance, rhythm that natural flows from my intrinsic self. It’s text that has a lot of hurt, as in pain, and a lot of healing—an acceptance of self, black is beauty, despite what the slave trade, colonialism, racism, social injustice might tell us.
It’s not that I never read realistic fiction and not that I don’t like it. It’s just that sometimes I don’t get it. I know realistic fiction, speculative fiction, and genre fiction are just terms we made up to sell more narrative, but I’m skeptical of how the expectations and norms of realism lurk, largely uninterrogated or even fully articulated, in the way readers, editors, and publishers interact with work that purports to depict quote unquote real life.  Most broadly defined, realistic stories depict the quotidian and accurately reproduce the daily events, characters, and settings of the world we live
Friday: Adam and Eve in Paradise by José Maria de Eça de Queirós, translated by Margaret Jull Costa 
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