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I’m tired of old things,
creeping out at me from the dark corners of the room.
Mouse droppings piled in crevices of antique ceramics,
more natural than the natural decay of rusting iron horseshoes,
I laugh at our efforts in battle,
cringe at the disorder;
in piles of petticoats, scythes, and pineapple bedposts, welcoming
visitors at our doorstep;

a pay phone stands obsolete,
a line of ghosts waiting to twirl their fingers around the tethered cord,
scrutinized by a gentleman, swaying on a squeaky rocking chair.
His antique shop sits behind him
hiding treasures from the world until time passes them on to his kin.
His efforts are not lost, like ours,
tucked in vast echoing rooms behind glass cases.
We work for preservation, as he does,
but the same items in our care
meet an untimely end, whether by rust or decayed memory.
But he,
He remembers the name of every ghost.



Sarah Gittens follows her imagination wherever it decides to venture. She is a writer by day, a juggler at heart, always a cartoonist, and has been known to paint a galaxy now and then. Find some of her cartoons on Instagram at stormyjesterink.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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Issue 19 Feb 2024
Issue 12 Feb 2024
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