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after Museo de las Momias, Guanajuato, México, 1957 by Elliott Erwitt

the two of them bicker
heedless of the querulous dead
surrounding them
silently bellowing life’s too short

we’re deep in conversation
flanked by the clamorous dead
life’s too short to ever stop
conversing with you

he stabs a finger at her
he is pressing his point
her body arches away from him
she wearily plots her eventual escape

sometimes we talk about the dead
I’m not afraid to join them someday
when I can talk to you right now

they are locked in a struggle
that might bear them
inch by inch toward death

we are so alive amid the monoliths
tell me everything
I want to tell you everything



Gwynne Garfinkle lives in Los Angeles. Her work has appeared in such publications as Uncanny, Lackington’s, The Cascadia Subduction Zone, and Not One of Us. Her collection of short fiction and poetry, People Change, is forthcoming in October from Aqueduct Press.
Current Issue
17 Jan 2022

The land burns so hot and high tonight that Let can see its orange glow even from the heart of The City of Birds. It burns so thick she can taste the whole year’s growth of leaves and branches on her lips. It burns so fast she can almost hear the deer and cottontails scream as flames outrun them and devour them whole.
I writhe in bed with fever, chills, chatters and shivers. The near becomes far as the far comes close.
No one gets married before going to space.
Wednesday: Unity by Elly Bangs 
Friday: The Cabinet by Un-Su Kim, translated by Sean Lin Halbert 
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