Size / / /

The train moved through my senses,

a smear of spilled India ink,

and underneath the weight of my tongue,

I tasted oranges.

I told you this, three times,

that I always start my stories the same,

with these words:

Once there was a girl, and her death.

Her death lived with her all her days.

I wanted to be Shahryar,

and you could bring me a thousand wonders.

The last one you keep for yourself

and it could have lit up the bright spaces,

me sitting cross-legged, a ragged lotus,

my nails scratching snakes into your feet.

You could have loved me, so impossible,

and I could have wistfully let you go.

Somehow that sounds more heroic,

falling onto my shield, my ribs splayed,

and hyacinths could have grown from my lungs,

saying always, This here was a beautiful thing.




Nancy Sheng was born in northern China and raised in a ragtag fashion across Canada and the U.S. She is currently a graduate student in library sciences. Her work has been previously published in Goblin Fruit and Stone Telling.
Current Issue
22 Jul 2024

By: Mónika Rusvai
Translated by: Vivien Urban
Jadwiga is the city. Her body dissolves in the walls, her consciousness seeps into the cracks, her memory merges with the memories of buildings.
Jadwiga a város. Teste felszívódik a falakban, tudata behálózza a repedéseket, emlékezete összekeveredik az épületek emlékezetével.
Aqui jaz a rainha, gigante e imóvel, cada um de seus seis braços caídos e abertos, curvados, tomados de leves espasmos, como se esquecesse de que não estava mais viva.
By: Sourav Roy
Translated by: Carol D'Souza
I said sky/ and with a stainless-steel plate covered/ the rotis going stale 
मैंने कहा आकाश/ और स्टेनलेस स्टील की थाली से ढक दिया/ बासी पड़ रही रोटियों को
By: H. Pueyo
Translated by: H. Pueyo
Here lies the queen, giant and still, each of her six arms sprawled, open, curved, twitching like she forgot she no longer breathed.
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