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They came in uniforms to protect themselves from damp days: raincoats hunched over their shoulders, flat-caps, curls hidden under patterned scarves. Every morning they turned up, hungry for a bunch of bananas, a pound of satsumas, or a bag of potatoes to roast, boil, or steam. She was suited in trousers—rose silk. She was sheltered by a cream mac, golf-umbrella, leather gloves. I had my red apron on. The rain popped beads on my forehead. Her look was completed with thick face-powder, red lipstick, and layered mascara. My regulars were made-up with crows-feet, pimples, and laughter lines. Those apples were fresh in that day. But she wouldn’t buy a pound, nor half a pound, not even a quarter. She picked up one. Single. Apple. She stroked it like you would a new lover’s cheek. It was the reddest of them all. It was the biggest, the roundest, and the juiciest. I felt robbed.



Claire Smith’s poetry has recently appeared in Ink, Sweat & Tears, Riddled with Arrows, and Spectral Realms. She is studying for a PhD at the University of Gloucestershire. Find her on Instagram @clairesdivingfornightmares, Facebook @divingfornightmares, and at http://www.divingfornightmares.co.uk/. She lives in Gloucestershire with her husband and their spoilt Tonkinese cat.
Current Issue
22 Apr 2024

We’d been on holiday at the Shoon Sea only three days when the incident occurred. Dr. Gar had been staying there a few months for medical research and had urged me and my friend Shooshooey to visit.
...
Tu enfiles longuement la chemise des murs,/ tout comme d’autres le font avec la chemise de la mort.
The little monster was not born like a human child, yelling with cold and terror as he left his mother’s womb. He had come to life little by little, on the high, three-legged bench. When his eyes had opened, they met the eyes of the broad-shouldered sculptor, watching them tenderly.
Le petit monstre n’était pas né comme un enfant des hommes, criant de froid et de terreur au sortir du ventre maternel. Il avait pris vie peu à peu, sur la haute selle à trois pieds, et quand ses yeux s’étaient ouverts, ils avaient rencontré ceux du sculpteur aux larges épaules, qui le regardaient tendrement.
We're delighted to welcome Nat Paterson to the blog, to tell us more about his translation of Léopold Chauveau's story 'The Little Monster'/ 'Le Petit Monstre', which appears in our April 2024 issue.
For a long time now you’ve put on the shirt of the walls,/just as others might put on a shroud.
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