Size / / /

So many years have passed

since the tragic loss of your bosom,

described by Plato himself

as surpassing the power of language—

all across our American highways,

the slick tableaux of truck stops

speak to the same want

for nature’s koan, for adipose

with or without gowns thin as tissues.

Tonight, more than Athens,

more than the cinders of Alexandria

or this daily strain on democracy,

I mourn your lost breasts.

If only Plato thought to note

whether they were haiku or sestinas.

If only we, too, could be

loved for what costs us nothing.


Michael Meyerhofer’s second book, Blue Collar Eulogies, is forthcoming from Steel Toe Books. His first book, Leaving Iowa, won the Liam Rector First Book Award. He has also published four chapbooks. His work has appeared in Asimov’s Science Fiction Magazine, Strange Horizons, Ploughshares, Quick Fiction, River Styx and others. Michael can be reached by email at: mrmeyerhofer@bsu.edu.



Michael Meyerhofer is the author of a fantasy series and several books of poetry. His work has appeared in Asimov's Science Fiction Magazine, Analog, Orson Scott Card's InterGalactic Medicine Show, Heroic Fantasy Quarterly, and other journals. For more info and an embarrassing childhood photo, visit troublewithhammers.com.
Current Issue
22 Jul 2024

By: Mónika Rusvai
Translated by: Vivien Urban
Jadwiga is the city. Her body dissolves in the walls, her consciousness seeps into the cracks, her memory merges with the memories of buildings.
Jadwiga a város. Teste felszívódik a falakban, tudata behálózza a repedéseket, emlékezete összekeveredik az épületek emlékezetével.
Aqui jaz a rainha, gigante e imóvel, cada um de seus seis braços caídos e abertos, curvados, tomados de leves espasmos, como se esquecesse de que não estava mais viva.
By: Sourav Roy
Translated by: Carol D'Souza
I said sky/ and with a stainless-steel plate covered/ the rotis going stale 
मैंने कहा आकाश/ और स्टेनलेस स्टील की थाली से ढक दिया/ बासी पड़ रही रोटियों को
By: H. Pueyo
Translated by: H. Pueyo
Here lies the queen, giant and still, each of her six arms sprawled, open, curved, twitching like she forgot she no longer breathed.
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