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is to be hungry like a boat; stomach stretching out
unto a wholesome waterflesh. is to gorge the ocean’s lilac

with the moon littered on its flesh. the throat erected
as an anthill. to smudge the body as a colony of disclosures

woven with footprints of all the ghosts sieved into the earth.
tell me how to eat a ghost till the mouth is full of peaches.

to disappear into a song wide enough to drown is to hold a light
to the chest and repeat a happy song till it becomes a blade

on the tongue. my chest is a sky-rack of immaculateness,
a cheesecloth adjusted to keep birds from nesting.

a child recognizes his parents by the hands that feed him,
I swear the first parent I ever knew was the absence of one.

my father was rafted over waters. my tears chart his body,
a sloppy dash, in the verbatim of the heart’s favourite expelling.

the best human conversation is the silence
that warms the heart. the latitude is measured out of grief.

the soft accentuation, music’s favourite threshold.

it is tough to remember my father because his face is a road
swallowed up by fog. I cast my emptiness with the song

cataloguing enough ash in my voice. my soul is the oasis
inside his eyes, an origami placed before a calcified wind.



Wale Ayinla is a Nigerian poet, essayist, and editor. His works recently appeared or are forthcoming in Guernica, Cultural Weekly, South Dakota Review, Rhino Poetry, UpTheStaircase Quarterly, The LitQuarterly, Cimarron Review, Slipstream, Ruminate Magazine, McNeese Review, Waccamaw, Poet Lore, Palette Poetry, and elsewhere.
Current Issue
30 Sep 2024

I did not hear the sky crack open
And she shows me her claws.
In colonial south India and in other parts of South Asia, then, there existed established theories of imagination and the mind as well as established literary traditions of fantasy that make the question of the known and unknown, the real and unreal, an impossible one.
This episode was frustrating and hilarious, just like so many things in life. What do the last two episodes have in store for us? Maybe something coherent happens in the story? Maybe an appearance by verbally abusive rocks? Plants that extensively quote things with no reliable source?
SH@25 is a new, year-long interview and feature series that will delve into the archives, celebrate the work of past contributors and staff, and highlight the contributions of Strange Horizons to SFF publishing and the wider community.
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