Size / / /

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You know this world well: green rows heavy
with August heat and humidity, ears bent,

silk brushing the ground, or shredded brown stalks
dry with shrunken kernels scavenged in late fall

by wild turkey or herds of white-tailed deer.
You never shy away from the sudden shapes that appear

shorn in the fields, waves of stalks woven into circles
and split spheres. Even now, when farmers frown,

as a V of geese veers away, you listen to the humming,
a low drone that buzzes like insects that cling to the light.

Your fingers tingle, your shoulders ache, you feel
a strange pulse in the veins behind your ears. You toss

your shoes to the wind, throw yourself into cartwheels,
one turn after another and another and another.

Hard ground tears at the palms of your hands,
bites the bottom of your feet every time you land.

Above you, a single crow caws a shrill warning,
a hunting beagle suddenly bays a half a mile away.

But you keep turning. You know the twisted stalks
will teach you how to bend without breaking.

Karen J. Weyant's speculative poetry has been published in Arsenic Lobster, Caesura, Cold Mountain Review, The Devilfish Review, Strange Horizons, and Whiskey Island. When she is not writing, she enjoys exploring the speculative regions of the Rust Belt.
Current Issue
28 Nov 2022

The comb is kept in a small case and a magnifying glass is there for you
Know that the end / is something that you cannot escape here.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
The new idea is to have the sixth sensors oversee the end of humanity.
By: RiverFlow
Translated by: Emily Jin
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
Wednesday: The Best American Science Fiction and Fantasy 2022 edited by Rebecca Roanhorse 
Friday: The Final Strife by Saara El-Arifi 
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