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Tell me again that my kisses are magic,
that my mouth unfolds longing like a landslide.
Loneliness spills over my lips each time you beg:
sing for me. Your unquenchable thirst devours

each syllable. Tell me again how you wanted to paint
the way you see me because I know all the words
to the first song you made love to in the back seat
of a red car, windows down overlooking the desert at sunset.

Tell me you didn’t forget to pay those parking tickets,
and to take your paintbrush out of the water, or
the way we fit together like puzzle pieces and
that once we slow danced, cheek-to-cheek

in the middle of the street, then hop-scotched
on the dotted lines all the way back to our childhoods
playing hide-and-seek. You told me once you didn’t
want to be left behind. Now you’re always leaving

the door open. I want to nail shut all possibilities because
the sun is already setting. The sky is red, and we’re driving the car
on a road to nowhere through the desert. The sand is so hot it burns.
Tell me you’ll quit hiding—and seek. See, the car is already melting;

you left your paintbrush in the water, and we’re dissolving
into red, the oils of our skin, our memories blur—
how do you see me? You painted a desert, red, and the car

falling apart. Tell me we dreamt it all and
when I open my eyes to see—I won’t remember. You
tell me the next time I open my mouth to sing
the magic of it all will make me disappear.



Tanaya Winder is an entrepreneur, motivational speaker, and performance poet from the Southern Ute, Duckwater Shoshone, and Pyramid Lake Paiute Nations.  She graduated from Stanford University, and her first book, Words Like Love, was published in 2015.  Tanaya founded Dream Warriors, an Indigenous artist management company.
Current Issue
29 May 2023

We are touched and encouraged to see an overwhelming response from writers from the Sino diaspora as well as BIPOC creators in various parts of the world. And such diverse and daring takes of wuxia and xianxia, from contemporary to the far reaches of space!
By: L Chan
The air was redolent with machine oil; rich and unctuous, and synthesised alcohol, sharper than a knife on the tongue.
“Leaping Crane don’t want me to tell you this,” Poppy continued, “but I’m the most dangerous thing in the West. We’ll get you to your brother safe before you know it.”
Many eons ago, when the first dawn broke over the newborn mortal world, the children of the Heavenly Realm assembled at the Golden Sky Palace.
Winter storm: lightning flashes old ghosts on my blade.
transplanted from your temple and missing the persimmons in bloom
immigrant daughters dodge sharp barbs thrown in ambush 十面埋伏 from all directions
Many trans and marginalised people in our world can do the exact same things that everyone else has done to overcome challenges and find happiness, only for others to come in and do what they want as Ren Woxing did, and probably, when asked why, they would simply say Xiang Wentian: to ask the heavens. And perhaps we the readers, who are told this story from Linghu Chong’s point of view, should do more to question the actions of people before blindly following along to cause harm.
Before the Occupation, righteousness might have meant taking overt stands against the distant invaders of their ancestral homelands through donating money, labour, or expertise to Chinese wartime efforts. Yet during the Occupation, such behaviour would get one killed or suspected of treason; one might find it better to remain discreet and fade into the background, or leave for safer shores. Could one uphold justice and righteousness quietly, subtly, and effectively within such a world of harshness and deprivation?
Issue 22 May 2023
Issue 15 May 2023
Issue 8 May 2023
Issue 1 May 2023
Issue 24 Apr 2023
Issue 17 Apr 2023
Issue 10 Apr 2023
Issue 3 Apr 2023
Issue 27 Mar 2023
Issue 20 Mar 2023
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