Size / / /

From ships sent to study our planet,

they listen to waves vibrating our air,

the cacophony of drills, screams, desperate calls,

which they tune out with flicks of dials

to zero in on rhythmic stuttering

and swelling crescendos of low and high tones.

Notes are recorded, a slow dissection of the human heart,

something there which humans cannot fully articulate,

how resilient, yet how vulnerable, they have evolved.

These recordings, drained of humanity and all imperfection,

are then beamed back in the seething swirl of dissonance,

where few notice, except at odd moments

inside stores or elevators, when some dark chill

overtakes their hearts, glimmers of the unknown,

when just for an instant they detect the presence

of some cold intelligence devoid of empathy,

and sense menace, that we all may die.




Thomas D. Reynolds received an MFA in creative writing from Wichita State University, currently teaches at Johnson County Community College, and has published poems in various print and online journals, including New Delta Review, Alabama Literary Review, Aethlon: The Journal of Sport Literature, American Western Magazine, Combat, The MacGuffin, and Midwest Poetry Review. His poem "How to Survive On a Distant Planet," previously published in Strange Horizons, was nominated for a Rhysling Award in the short poem category. You can send Thomas email at tomrey8@yahoo.com.
Current Issue
27 Mar 2023

close calls when / I’m with Thee / dressed to the nines
they took to their heels but the bird was faster.
In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Reviews Editors Aisha Subramanian and Dan Hartland talk to novelist, reviewer, and Strange Horizons’ Co-ordinating Editor, Gautam Bhatia, about how reviewing and criticism of all kinds align—and do not—with fiction-writing and the genre more widely.
If the future is here, but unevenly distributed, then so is the past.
He claims that Redlow used to be a swamp and he has now brought them into the future before the future. Yes he said that.
My previous Short Fiction Treasures column was all about science fiction, so it’s only fair that the theme this time around is fantasy.
I’ve come to think of trans-inclusive worldbuilding as an activist project in itself, or at least analogous to the work of activists. When we imagine other worlds, we have to observe what rules we are creating to govern the characters, institutions, and internal logic in our stories. This means looking at gender from the top down, as a regulatory system, and from the bottom up, at the people on the margins whose bodies and lives stand in some kind of inherent opposition to the system itself.
Friday: August Kitko and the Mechas from Space by Alex White 
Issue 20 Mar 2023
Issue 13 Mar 2023
Issue 6 Mar 2023
Issue 20 Feb 2023
Issue 13 Feb 2023
Issue 6 Feb 2023
Issue 30 Jan 2023
By: Catherine Rockwood
By: Romie Stott
Podcast read by: Ciro Faienza
Podcast read by: Catherine Rockwood
Podcast read by: Romie Stott
Podcast read by: Maureen Kincaid Speller
Issue 23 Jan 2023
Issue 16 Jan 2023
Issue 9 Jan 2023
Load More
%d bloggers like this: