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- because I watched my umbilical cord grow into a tree
- because the tree grew into a road & roads must constantly be fed
- because I witnessed a bat turn into an old woman & the mob bayed for her blood
- because the bush baby cried at our gate and the landlady did not wake from sleep
- because I saw a boy spread his school uniform on an invisible clothesline
- because he picked back his ear after it was chopped off
- because the toes danced after the axe lost its head.

- because the girl had the gift of pyrokinesis
- because the fire engulfed her entire family
- because their heritage became carbon
- because carbon can never be innocent
- because no story is innocent
- because the children turned into tubers of yam after picking coins on the ground
- because the yams bled when cut with a kitchen knife in preparation for supper
- because one returned with a scar where the knife had made an incision.

- because the tree did not yield fruits yet was home to strange birds
- because the birds were fed with nothingness & filled our roofs with droppings
- because this is bad luck & the curses cannot be washed off with mere water
- because I called down blood rains & the floodgates were opened
- because the storm swept our village off the map
- because the waters drowned our history
- because child with no history is taboo & must be left at crossroads
- because this child must fight multi-headed ghosts alone
- because the spirits have refused to die by fire
- because she must run, she must return to the river
- because no axe head was floating on the water
- because she must uproot the tree with fingernails.
- because there is no pyrrhic victory in this story
- because there is only surrender
- because I can’t
- because I won’t.



Soonest Nathaniel is author of Burying the Ghosts of Dead Narratives and Teaching Father How to Impregnate Women. He is the winner of the RL Poetry Award, was named a Langston Hughes Fellow at the Palm Beach Festival, and served as the Poet Laureate for the Korea Nigeria Poetry Festival.
Current Issue
6 May 2024

the dead have nothing to say to you 
fat tears rolling down your cheeks like pearls fresh from the oyster
Cat amongst the cabbages 
The old feelings mean little to you now.
Those Who Smuggle Themselves Into Slivermoon 
In his early days in slivermoon, Saki worked the phone lines. Companies in slivermoon stressed in prestige magazines and press releases that it was too hard for them to employ bodies. Bodies were expensive to sustain. Bodies needed food, warmth, and shelter.
Monday: Jonathan Abernathy You Are Kind by Molly McGhee 
Wednesday: Dioramas by Blair Austin 
Friday: Verushka by Jan Stinchcomb 
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By: Ana Hurtado
Art by: delila
Issue 8 Apr 2024
Issue 1 Apr 2024
Issue 25 Mar 2024
By: Sammy Lê
Art by: Kim Hu
Issue 18 Mar 2024
Strange Horizons
Issue 11 Mar 2024
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Issue 26 Feb 2024
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