Size / / /

If you knew about the wolves,
you'd never love me
as your own daughter.
Here I sit in her place,
Marjatta's place.

I eat the rye porridge
you've cooked for me, Mother,
with the wooden spoon
you've carved for me, Father,
as I take up the space
of your dead daughter.

I watched from the woods,
hungry and lonely.
Father tilled the potato field,
Mother spun yarn
from the sheep's coats.
Daughter tended those sheep
in a forest clearing,
returning in the evenings
to the house where light greeted her
at the doorway, and inside
was love and safety.

I watched the family.

I wanted.

When you found Marjatta, throat torn,
your keening chilled my heart.
But I knew you'd grow to love me
when I came to take her place.
After the burial,
I came lost to your door,
a child in the dark.

Mother, Father,
you took me in.

Just like I wanted.




Sara Norja dreams in two languages. Her poetry has appeared in publications such as Goblin Fruit, Strange Horizons, inkscraw, and Interfictions. Her short fiction has appeared in various publications and is forthcoming in Flash Fiction Online and An Alphabet of Embers (ed. Rose Lemberg). She is @suchwanderings on Twitter.
Current Issue
28 Nov 2022

The comb is kept in a small case and a magnifying glass is there for you
Know that the end / is something that you cannot escape here.
I wanted to ask francophone African speculative authors how they feel, how non-Black francophone African authors relate to the controversy, but also how they position themselves either as Afrofuturists or Africanfuturists, or as neither.
The new idea is to have the sixth sensors oversee the end of humanity.
By: RiverFlow
Translated by: Emily Jin
In conclusion, I argue that SF fanzines in China mostly played a transitional role. That is, when no professional platforms were available to publish articles and stories, fanzines stepped in. Though most of those fanzines did not last very long, they played the important role of compiling and delivering information. The key reason why I identify those magazines as fanzines is because all the contributors joined out of their interest in SF and worked for free.
Friday: The Final Strife by Saara El-Arifi 
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